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| Catalogue # | Title | Type | Subject | Description | |
|---|---|---|---|---|---|
| 2023.644.3134 | A Cabin in the Woods - Wini Smart |
|
| A booklet written by Wini Smart about Sammy Sanford and Rachel Field's friendship through the years, which led to her writing the acclaimed God's Pocket. Published in 2011. | 
Description: A booklet written by Wini Smart about Sammy Sanford and Rachel Field's friendship through the years, which led to her writing the acclaimed God's Pocket. Published in 2011. |
| 2023.643.3133 | Cranberry Road: GCI 1919-1950 - Wini Smart |
|
| A brief history of Great Cranberry between 1919 and 1950. Covering the businesses and activities of islanders. Including many of Betty Hartleys recollections. | 
Description: A brief history of Great Cranberry between 1919 and 1950. Covering the businesses and activities of islanders. Including many of Betty Hartleys recollections. |
| 2013.219.1874 | Harpoon or "Lilly Iron" with swivel piece on the barb |
|
| Fishing gear, "Lilly Iron" (harpoon) from Wesley Bracy, Jr. with swiveling piece on the barb that folds flat for easy penetration, but opens crosswise for increased grip, thus preventing loss of the fish; Bruce Komusin inserted a wooden boomstick handle and secured it with rope for display purposes. | 
Description: Fishing gear, "Lilly Iron" (harpoon) from Wesley Bracy, Jr. with swiveling piece on the barb that folds flat for easy penetration, but opens crosswise for increased grip, thus preventing loss of the fish; Bruce Komusin inserted a wooden boomstick handle and secured it with rope for display purposes. |
| 1000.19.36 | Great Cranberry Island History Project, College of the Atlantic, 1992 |
|
| Book, Great Cranberry Island History Project, College of the Atlantic, "Photography: Public and Private Language" Fall 1992, mostly photographs with some text. | 
Description: Book, Great Cranberry Island History Project, College of the Atlantic, "Photography: Public and Private Language" Fall 1992, mostly photographs with some text. |
| 2023.652.3142 | Cranberry Rooster Division Sign |
|
| The Cranberry Club Rooster Division was a local spoof men's club to mirror the elite women’s Cranberry Club. The club house was behind Doc Haydock’s house and also included Arvard Savage, Charlie Rice, and Victor White. They would put on performances of music and ‘interpretive island dances’. | 
Description: The Cranberry Club Rooster Division was a local spoof men's club to mirror the elite women’s Cranberry Club. The club house was behind Doc Haydock’s house and also included Arvard Savage, Charlie Rice, and Victor White. They would put on performances of music and ‘interpretive island dances’. |
| 2023.645.3135 | Cranberry Club Chamber Set |
|
| ||
| 2023.647.3137 | Model Warship - Built by Arvard Savage |
|
| Model warship built by Arvard Savage. Donated by Karin Whitney. | 
Description: Model warship built by Arvard Savage. Donated by Karin Whitney. |
| 2013.294.1900 | Indigenous American Sweetgrass Basket |
|
| Basket and lid, flat bottom, Indigenous American creation, made of braided sweetgrass and natural and green flat splint fiber, with a blue card inside reading "(printed) Smart Studio Antiques, Maine Street, Northeast Harbor Maine, 276-5152, (handwritten) Penobscot Indian Sweetgrass Basket, late 1800s", and on the back of the card "$145" | 
Description: Basket and lid, flat bottom, Indigenous American creation, made of braided sweetgrass and natural and green flat splint fiber, with a blue card inside reading "(printed) Smart Studio Antiques, Maine Street, Northeast Harbor Maine, 276-5152, (handwritten) Penobscot Indian Sweetgrass Basket, late 1800s", and on the back of the card "$145" |
| 2023.648.3138 | Hawksbill Sea Turtle - Eretmochelys imbricata |
|
| On loan from Phil Whitney. This turtle shell, according to Whitney family legend, is suspected to be from an 1825 whaling expedition to the South Pacific. It was kept in the family home until 1928, when the Spurling house burned down, and was rescued from the flames by islanders trying to salvage their possessions. The shell is that of a Hawksbill sea turtle, larger than most found today, and you may notice an indentation on the left side. Turtles are adept at recovering from injuries but they can’t grow back bone, so this is likely an injury sustained from when this turtle was far smaller. | 
Description: On loan from Phil Whitney. This turtle shell, according to Whitney family legend, is suspected to be from an 1825 whaling expedition to the South Pacific. It was kept in the family home until 1928, when the Spurling house burned down, and was rescued from the flames by islanders trying to salvage their possessions. The shell is that of a Hawksbill sea turtle, larger than most found today, and you may notice an indentation on the left side. Turtles are adept at recovering from injuries but they can’t grow back bone, so this is likely an injury sustained from when this turtle was far smaller. [show more] |
| 1000.180.1322 | Antique sewing machine from the Moorfield Storey house |
|
| Sewing Machine, hand/foot-operated "A & S" sewing machine on cast iron stand with three drawers and wooden work surface table and matching wooden box-like cover; the right drawer is loose and not attached to the base; all three drawers are filled with sewing notions; the sewing machine is from the Moorfield Storey household. | 
Description: Sewing Machine, hand/foot-operated "A & S" sewing machine on cast iron stand with three drawers and wooden work surface table and matching wooden box-like cover; the right drawer is loose and not attached to the base; all three drawers are filled with sewing notions; the sewing machine is from the Moorfield Storey household. |
| 2023.642.3132 | Richard 'Chuddy' Alley Interview Transcript |
|
| Interview Transcript from an interview with Richard 'Chuddy' Alley. The interview was recorded in the 2000's (exact year unknown) by Jessi Duma and Jenny Matthews, who both lived on the island for a number of years. Chuddy came to GCI as a young boy, and recounts many memories of Great Cranberry in the early to mid 20th century. He talks about agriculture and fishing extensively with Jessi. He moved over to Islesford and his son Ricky Alley speaks about fishing with a fish trap, and Pursing. Jessi was a Cranberry Island Fellow and became the general manager for GCIHS for a few years. Interview with transcribed by Hannah Gower-Fox. She was the Archivist and Museum Curator for GCIHS in 2023. | 
Description: Interview Transcript from an interview with Richard 'Chuddy' Alley. The interview was recorded in the 2000's (exact year unknown) by Jessi Duma and Jenny Matthews, who both lived on the island for a number of years. Chuddy came to GCI as a young boy, and recounts many memories of Great Cranberry in the early to mid 20th century. He talks about agriculture and fishing extensively with Jessi. He moved over to Islesford and his son Ricky Alley speaks about fishing with a fish trap, and Pursing. Jessi was a Cranberry Island Fellow and became the general manager for GCIHS for a few years. Interview with transcribed by Hannah Gower-Fox. She was the Archivist and Museum Curator for GCIHS in 2023. [show more] |
| 2019.431.2446 | Obituary clippings and photos |
|
| Obituaries: A=Andrew Stanley 1969; B=Elisha Bunker and Edgar Bunker (father and son); C=Mrs. Winslow Bunker 1967; D=Leslie M. Rice 1966; E=Lena M. Stanley 1965; F&G= James R. Dwelley 1955 (father of Hugh Dwelley). Seven photographs: People H-L: H=Shirley Phippen (son of Leslie and Marjorie Phippen; I=Herbert and Florence Towns on sled; J="Brother Perley on boat, Stanley?, Addie Duren's brother". Houses K-M: K= Donald house; L= Reverend Nelson/Sherman Cottage which burned down ca. 1961 and the Wards built on this site; M= unknown house. | 
Description: Obituaries: A=Andrew Stanley 1969; B=Elisha Bunker and Edgar Bunker (father and son); C=Mrs. Winslow Bunker 1967; D=Leslie M. Rice 1966; E=Lena M. Stanley 1965; F&G= James R. Dwelley 1955 (father of Hugh Dwelley). Seven photographs: People H-L: H=Shirley Phippen (son of Leslie and Marjorie Phippen; I=Herbert and Florence Towns on sled; J="Brother Perley on boat, Stanley?, Addie Duren's brother". Houses K-M: K= Donald house; L= Reverend Nelson/Sherman Cottage which burned down ca. 1961 and the Wards built on this site; M= unknown house. [show more] |
| 2019.429.2451 | Photos and clippings from Addie Duren |
|
| Photos and assortment of clippings. 21 photographs of people, boats, structures, from Addie Duren's time, given to GCIHS by her son Ron Mountain, some with IDs written on reverse: A=Adline Bunker; B= Ernest Stanley In Service, First World War; C=Alfred Ladd passed away in first world war by a bomb. D=Addie must be going someplace. All dressed up in my Brothers clothes. E=Winfield Stanley; F=Omer Mountain In USN; G=Eliza Stanley; H=Addie Duren. Photos I-M=people no IDs (except deerhunter photo is marked 1940. Photos N-R=boats have no IDs except N (upper right corner)=First boat Raymond B. ever built. Photos of buildings S=Aid building/barn; T=GCI Church; U=Velma Teel's house in the snow. V-ZZ=Newspaper clippings: improved lobster pot design 1956, witticisms, and children' games. AA-CC= handwritten songs and a note. | 
Description: Photos and assortment of clippings. 21 photographs of people, boats, structures, from Addie Duren's time, given to GCIHS by her son Ron Mountain, some with IDs written on reverse: A=Adline Bunker; B= Ernest Stanley In Service, First World War; C=Alfred Ladd passed away in first world war by a bomb. D=Addie must be going someplace. All dressed up in my Brothers clothes. E=Winfield Stanley; F=Omer Mountain In USN; G=Eliza Stanley; H=Addie Duren. Photos I-M=people no IDs (except deerhunter photo is marked 1940. Photos N-R=boats have no IDs except N (upper right corner)=First boat Raymond B. ever built. Photos of buildings S=Aid building/barn; T=GCI Church; U=Velma Teel's house in the snow. V-ZZ=Newspaper clippings: improved lobster pot design 1956, witticisms, and children' games. AA-CC= handwritten songs and a note. [show more] |
| 2019.434.2444 | Addie Ethel Duren WWII ID card |
|
| Addie Ethel Duren WWII ID card issued by U.S. Coast Guard. Islanders were required to carry ID cards during WW II when transiting from islands to MDI, to prove they weren't spies. | 
Description: Addie Ethel Duren WWII ID card issued by U.S. Coast Guard. Islanders were required to carry ID cards during WW II when transiting from islands to MDI, to prove they weren't spies. |
| 2017.397.2172 | Hats Off Bowling Game (Phippen) |
|
| Game board, child, Board game, "Hats Off Bowling Game" with wooden pegs that swivel, bowling balls missing. Copyright MCMXLIV by Transogram Company, Inc. , from Montgomery Ward. Marjorie and Les Phippen's children were Paul, Louise, and one other. They were born on GCI and used to live on GCI year round. | 
Description: Game board, child, Board game, "Hats Off Bowling Game" with wooden pegs that swivel, bowling balls missing. Copyright MCMXLIV by Transogram Company, Inc. , from Montgomery Ward. Marjorie and Les Phippen's children were Paul, Louise, and one other. They were born on GCI and used to live on GCI year round. |
| 2017.395.2170 | Painting of the Lusitania |
|
| Painting, oil or acrylic, and pencil on cardboard of the ship Lusitania. Framed in wood with popsicle stick supports on damaged corners. Donor notes, "I bought it at a Cranberry Island Fair in the 1980s, and was told it came out of an Island House. I'm not sure if it was done by an Islander, but Isabel Storey would know." | 
Description: Painting, oil or acrylic, and pencil on cardboard of the ship Lusitania. Framed in wood with popsicle stick supports on damaged corners. Donor notes, "I bought it at a Cranberry Island Fair in the 1980s, and was told it came out of an Island House. I'm not sure if it was done by an Islander, but Isabel Storey would know." |
| 2018.406.2183 | Quilt by Leah Jeanette (Sawyer) Stanley (1874-1944) |
|
| Quilt. Red and white (or beige) squares, 73" x 81" with solid white (or beige) reverse; filled with cotton batting. 14 5" x 6" squares long by 15 5"x6" squares wide. Each white square has a red embroidered flower, vegetable, bird, human figure, or animal in it. Donor states quilt was found in house when the property was bequeathed to the Heliker-LaHotan Foundation by Robert LaHotan's will and trust. Donor believes the quilt was made by Leah Stanley (Leah Jeanette (Sawyer) Stanley 1874-1944) who lived in the house with her husband Lewis Stanley. Quilt was displayed in 2006 GCIHS quilt exhibit. | 
Description: Quilt. Red and white (or beige) squares, 73" x 81" with solid white (or beige) reverse; filled with cotton batting. 14 5" x 6" squares long by 15 5"x6" squares wide. Each white square has a red embroidered flower, vegetable, bird, human figure, or animal in it. Donor states quilt was found in house when the property was bequeathed to the Heliker-LaHotan Foundation by Robert LaHotan's will and trust. Donor believes the quilt was made by Leah Stanley (Leah Jeanette (Sawyer) Stanley 1874-1944) who lived in the house with her husband Lewis Stanley. Quilt was displayed in 2006 GCIHS quilt exhibit. [show more] |
| 2023.636.3126 | Artists of the Cranberry Isles |
|
| GCIHS Publication, created by Wini Smart initially to accompany the exhibit: Art of the Cranberry Isles, Past and Present. Compiles a list of and short biography of all the painters who made an 'impact here on our island and on the world'. With accompanying painter portraits and art. | 
Description: GCIHS Publication, created by Wini Smart initially to accompany the exhibit: Art of the Cranberry Isles, Past and Present. Compiles a list of and short biography of all the painters who made an 'impact here on our island and on the world'. With accompanying painter portraits and art. |
| 2022.617.3109 | Shell Midden Remains and Photographs |
|
| A collection of shells and photographs taken from the Shell Midden on Fish Point. Some of the shells have holes in them, which may have been created by the indigenous people who hunted for them. Dating through the shell middens and other archeological remains, we know people have used this coastline and its plentiful marine resources for thousands of years. The Cranberries themselves were used by the indigenous peoples here, evidenced by the remains of a shell midden on Fish point (at the hook of the island) which isn’t accessible to the public. Shell middens are often referred to as trash heaps and they contain oyster, clam, and shellfish remains, along with ‘faunal remains’ which refers to the mammal, fish, bird, reptile bones and teeth that are found. A minor portion of the middens are often stone tools or their fragments, and pieces of ceramic pottery. Shellfish middens are phenomenal records of the lives lived in proximity to the coast, and they are often found in sheltered coves and bays, near small mudflats, and tidal/inland streams. They tell us which seasons people were occupying areas, their preference for sheltered areas with easy access to the ocean (for their canoes) and plentiful marine resources, such as shellfish flats, and spring runs of migratory fish. They are extraordinary records which are disappearing rapidly due to rising oceans. | 
Description: A collection of shells and photographs taken from the Shell Midden on Fish Point. Some of the shells have holes in them, which may have been created by the indigenous people who hunted for them. Dating through the shell middens and other archeological remains, we know people have used this coastline and its plentiful marine resources for thousands of years. The Cranberries themselves were used by the indigenous peoples here, evidenced by the remains of a shell midden on Fish point (at the hook of the island) which isn’t accessible to the public. Shell middens are often referred to as trash heaps and they contain oyster, clam, and shellfish remains, along with ‘faunal remains’ which refers to the mammal, fish, bird, reptile bones and teeth that are found. A minor portion of the middens are often stone tools or their fragments, and pieces of ceramic pottery. Shellfish middens are phenomenal records of the lives lived in proximity to the coast, and they are often found in sheltered coves and bays, near small mudflats, and tidal/inland streams. They tell us which seasons people were occupying areas, their preference for sheltered areas with easy access to the ocean (for their canoes) and plentiful marine resources, such as shellfish flats, and spring runs of migratory fish. They are extraordinary records which are disappearing rapidly due to rising oceans. [show more] |
| 2014.278.2019 | Fire Department Helmets |
|
| Used by Herman Savage and Wilfred Bunker. Two oval metal helmets painted red; adjustable webbed fabric supports with metal rivets inside; raised staples on interior of brim with fabric chin strips in place. Helmets used by GCI volunteer fire department ca. 1948 when the fire department was formed. Helmet (A): Red outside, white inside; "C.I.V.D." painted in white on exterior; handwritten inside the rim "H. Savage" (Herman Savage). Savage was a teenage volunteer fire department member. Helmet (B):Red outside, red inside; "W.A.B." painted in yellow on exterior; no initials inside. Wilfred Allison Bunker would have been in his late 20s in 1948. These may have been WWII helmets adapted for use by the fire department. Badly rusted and paint flaking and peeling. (See also 2014.278.2020 CIVD documents from 1950-1960s.) (See also photo of firefighters taken ca. January 1951-1953 with identifications, printed copy stored with item 2021 - box 49.) | 
Description: Used by Herman Savage and Wilfred Bunker. Two oval metal helmets painted red; adjustable webbed fabric supports with metal rivets inside; raised staples on interior of brim with fabric chin strips in place. Helmets used by GCI volunteer fire department ca. 1948 when the fire department was formed. Helmet (A): Red outside, white inside; "C.I.V.D." painted in white on exterior; handwritten inside the rim "H. Savage" (Herman Savage). Savage was a teenage volunteer fire department member. Helmet (B):Red outside, red inside; "W.A.B." painted in yellow on exterior; no initials inside. Wilfred Allison Bunker would have been in his late 20s in 1948. These may have been WWII helmets adapted for use by the fire department. Badly rusted and paint flaking and peeling. (See also 2014.278.2020 CIVD documents from 1950-1960s.) (See also photo of firefighters taken ca. January 1951-1953 with identifications, printed copy stored with item 2021 - box 49.) [show more] |
| 2013.214.1906 | Indigenous American stone tools: 10 arrowheads, flakes, projectile points, and knife blade |
|
| Native American tools: a random collection of 10 stone pieces without provenience: 1 raw stone, 6 arrowheads, 2 flakes, 1 knife blade: some of these artifacts were loaned by individuals, and one projectile point (the longest one, black) was found on GCI on May 25, 2008 by a visitor. Others may not be local points, some perhaps New Jersey origin. One 2" stone knife blade, broken, black (not obsidian) found GCI 2011 by visitor and later donated to GCIHS. (See Abbe Museum on MDI for collection of Native American artifacts from archaeological excavations on GCI.) | 
Description: Native American tools: a random collection of 10 stone pieces without provenience: 1 raw stone, 6 arrowheads, 2 flakes, 1 knife blade: some of these artifacts were loaned by individuals, and one projectile point (the longest one, black) was found on GCI on May 25, 2008 by a visitor. Others may not be local points, some perhaps New Jersey origin. One 2" stone knife blade, broken, black (not obsidian) found GCI 2011 by visitor and later donated to GCIHS. (See Abbe Museum on MDI for collection of Native American artifacts from archaeological excavations on GCI.) [show more] |
| 2015.319.2080 | Wild Island Farm seed collection |
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| Seeds. Collection of Polly Storey's Wild Island Farm seeds including three green wooden display boxes (A, B, and C) (with lids attached by brass chains) containing white and green paper seed packets ready for sale, and two shoebox-size cardboard boxes (D and E) with seed packets. There is also a folder of materials (F) relating to Wild Island Farm, the seed business, and a newspaper article “Polly Forbes Johnson Storey: A Spirit of Independence” (Bar Harbor Times, October 21, 1976). (See also GCIHS 1000.0.965 for another undated article about seeds business.) Seed packets indicate crop years were 1972 and 1992; but many packets have no crop years identified. Most of the seeds originated in Maine, but some are from Tennessee, Pennsylvania, Wisconsin, and Yugoslavia. Polly Storey’s daughter, Elizabeth Selim, recalls her mother germinating wildflower seeds on the property and remembers her mother’s seed business. Two of the green seed display boxes (A and B) contain packets of tree seeds. On the interior lids of these two boxes is a printed pamphlet: Tree Seeds from Maine* (and other exotic parts of the world), with text on why and how to plant tree seeds. Seed packets inside these two boxes include balsam fir, mountain ash, white pine, sugar maple, paper birch, and white spruce - all "Packed by Wild Island Farm, Cranberry Isles, Maine 04625." Balsam fir (Abies balsama): Purity 93%, Germination 50% March 1994; Crop year 1992, Origin Maine. Mountain Ash (Sorbus americana): Purity 80%, Germination 30% March 1994, Crop year 1992, Origin Tennessee. White Pine (Pinus strobus): Purity 98%, Germination 90% March 1994, Crop year 1991, Origin Maine. Sugar Maple (Acer saccharum): Purity 97%, Germination 55% March 1994, Crop Year 1992, Origin Pennsylvania. Paper Birch (Betula papyrifera): Purity 85%, Germination 95% March 1994, Crop year 1992, Origin Wisconsin. White Spruce: (Picea abies): Purity 98%, Germination 47.5% March 1992, Crop year 1990, Origin Yugoslavia. Several types of tree seed packets have bar-coded labels on reverse: “Acadia Shops, (seed name), $2.00”. The third green display box (C) contains mostly flower packets, but there are also four packets of White Cedar seeds in it. The interior lid of this box has hand drawn text and lovely small watercolor sketches of the types of flower seed packets it contains. White Cedar (Thuja occidentales): Text, printing and ‘packed by’ are slightly different: Purity 95%, Germ. 60% March 1973, Crop Year 1972, Origin Maine: Packed by Wild Island Seeds, The Farm House, Cranberry Isles, Maine 04625. Flower packets: Daisy (Chrysanthemum leucanthemum): No date packed etc. Blue Flag (Iris versicolor): No date packed etc, but an Acadia Shops sticker (no bar code) $1.50 on reverse. Evening Primrose (Onothera biennis): No date packed etc. Beach Pea (Lathyrus japponics): Empty envelope, no crop year etc. Lupine (Lupinus perennis): No crop year etc. Cattail (Typha latifolia): No crop year etc., sealed but seems empty. Blueberry (Vaccinium augustifolium): No date crop year etc., envelope stained. There are 5 small manila envelopes with handwritten labels: Beach Pea, Wild Rose, Blue Flag, Seaside Goldenrod, and Bunchberry. Inside a sixth, larger manila envelope (labelled in red ink: ‘Begonia seeds’) are 5 folded, white paper packets, only two of which are labelled: "Pink and white from Christmas cactus pot", and "Deep Red". Cardboard boxes: First box (D) labeled “M.D. Apothecary” contains 59 green and white paper packets of Rhubarb (Rhabarbarum) seeds, “Packed by Wild Island Farm, Cranberry Isles, Maine 04625”, no crop year etc., but Acadia Shops sticker (no bar code) $1.50 on reverse. Second box (E) contains 99 green and white paper packets of Mountain Ash (Sorbus americana) seeds: Purity 80%, Germination 30% March 1994, Crop year 1992, Origin Tennessee, Packed by Wild Island Farm, Cranberry Isles, Maine 04625, no sticker on reverse. Documents (F): 1970 to 1995, including 1992 correspondence with Aroostook Testing and Consulting Laboratory in Presque Isle, Maine, shows Polly submitted several varieties of tree seeds from Cranberry Island for testing and received germination rates for each. Information on how and when to gather seeds. Statements and business registration information. Newspaper article “Polly Forbes Johnson Storey: A Spirit of Independence” (Bar Harbor Times, October 21, 1976). Several letters from visitors who purchased the seeds at local hotels and wanted advice. Two loose 2"x2" square water color sketches of cranberry and fireweed. One 6"x8" color photograph of Polly Storey by Dick Berggren. | 
Description: Seeds. Collection of Polly Storey's Wild Island Farm seeds including three green wooden display boxes (A, B, and C) (with lids attached by brass chains) containing white and green paper seed packets ready for sale, and two shoebox-size cardboard boxes (D and E) with seed packets. There is also a folder of materials (F) relating to Wild Island Farm, the seed business, and a newspaper article “Polly Forbes Johnson Storey: A Spirit of Independence” (Bar Harbor Times, October 21, 1976). (See also GCIHS 1000.0.965 for another undated article about seeds business.) Seed packets indicate crop years were 1972 and 1992; but many packets have no crop years identified. Most of the seeds originated in Maine, but some are from Tennessee, Pennsylvania, Wisconsin, and Yugoslavia. Polly Storey’s daughter, Elizabeth Selim, recalls her mother germinating wildflower seeds on the property and remembers her mother’s seed business. Two of the green seed display boxes (A and B) contain packets of tree seeds. On the interior lids of these two boxes is a printed pamphlet: Tree Seeds from Maine* (and other exotic parts of the world), with text on why and how to plant tree seeds. Seed packets inside these two boxes include balsam fir, mountain ash, white pine, sugar maple, paper birch, and white spruce - all "Packed by Wild Island Farm, Cranberry Isles, Maine 04625." Balsam fir (Abies balsama): Purity 93%, Germination 50% March 1994; Crop year 1992, Origin Maine. Mountain Ash (Sorbus americana): Purity 80%, Germination 30% March 1994, Crop year 1992, Origin Tennessee. White Pine (Pinus strobus): Purity 98%, Germination 90% March 1994, Crop year 1991, Origin Maine. Sugar Maple (Acer saccharum): Purity 97%, Germination 55% March 1994, Crop Year 1992, Origin Pennsylvania. Paper Birch (Betula papyrifera): Purity 85%, Germination 95% March 1994, Crop year 1992, Origin Wisconsin. White Spruce: (Picea abies): Purity 98%, Germination 47.5% March 1992, Crop year 1990, Origin Yugoslavia. Several types of tree seed packets have bar-coded labels on reverse: “Acadia Shops, (seed name), $2.00”. The third green display box (C) contains mostly flower packets, but there are also four packets of White Cedar seeds in it. The interior lid of this box has hand drawn text and lovely small watercolor sketches of the types of flower seed packets it contains. White Cedar (Thuja occidentales): Text, printing and ‘packed by’ are slightly different: Purity 95%, Germ. 60% March 1973, Crop Year 1972, Origin Maine: Packed by Wild Island Seeds, The Farm House, Cranberry Isles, Maine 04625. Flower packets: Daisy (Chrysanthemum leucanthemum): No date packed etc. Blue Flag (Iris versicolor): No date packed etc, but an Acadia Shops sticker (no bar code) $1.50 on reverse. Evening Primrose (Onothera biennis): No date packed etc. Beach Pea (Lathyrus japponics): Empty envelope, no crop year etc. Lupine (Lupinus perennis): No crop year etc. Cattail (Typha latifolia): No crop year etc., sealed but seems empty. Blueberry (Vaccinium augustifolium): No date crop year etc., envelope stained. There are 5 small manila envelopes with handwritten labels: Beach Pea, Wild Rose, Blue Flag, Seaside Goldenrod, and Bunchberry. Inside a sixth, larger manila envelope (labelled in red ink: ‘Begonia seeds’) are 5 folded, white paper packets, only two of which are labelled: "Pink and white from Christmas cactus pot", and "Deep Red". Cardboard boxes: First box (D) labeled “M.D. Apothecary” contains 59 green and white paper packets of Rhubarb (Rhabarbarum) seeds, “Packed by Wild Island Farm, Cranberry Isles, Maine 04625”, no crop year etc., but Acadia Shops sticker (no bar code) $1.50 on reverse. Second box (E) contains 99 green and white paper packets of Mountain Ash (Sorbus americana) seeds: Purity 80%, Germination 30% March 1994, Crop year 1992, Origin Tennessee, Packed by Wild Island Farm, Cranberry Isles, Maine 04625, no sticker on reverse. Documents (F): 1970 to 1995, including 1992 correspondence with Aroostook Testing and Consulting Laboratory in Presque Isle, Maine, shows Polly submitted several varieties of tree seeds from Cranberry Island for testing and received germination rates for each. Information on how and when to gather seeds. Statements and business registration information. Newspaper article “Polly Forbes Johnson Storey: A Spirit of Independence” (Bar Harbor Times, October 21, 1976). Several letters from visitors who purchased the seeds at local hotels and wanted advice. Two loose 2"x2" square water color sketches of cranberry and fireweed. One 6"x8" color photograph of Polly Storey by Dick Berggren. [show more] |
| 2019.440.2805 | GCI people |
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| A= Left to right: John Towns, his mother Mrs. Florence Towns, Sawtelle Teele, [perhaps Howard Pratt], Mary Teele Prat, Dot Towns. B=Capts. Perley Stanley and Hillard Hardy in Florida (1952?). C= Philmore Petersen. D=Frank Stanley. E=Charles "Pink" Stanley with boys (see also 1000.0.574). F="Mr. & Mrs. Antanson on fishing trip with Edgar Bunker and Addie, What a day that was" G= Harold Stanley and wife Maui? Harding Stanley. H= Wheelbarrow race with Judy Towns (Holbrook) (white sweater back row center), Cann Penn (Bangor) August 1958 Church fair day. I= Eleanore Mildred Joy 7 months 4 days. J=Gertie Bunker. K= unknown infant. LMNOPQR=unknown individuals | 
Description: A= Left to right: John Towns, his mother Mrs. Florence Towns, Sawtelle Teele, [perhaps Howard Pratt], Mary Teele Prat, Dot Towns. B=Capts. Perley Stanley and Hillard Hardy in Florida (1952?). C= Philmore Petersen. D=Frank Stanley. E=Charles "Pink" Stanley with boys (see also 1000.0.574). F="Mr. & Mrs. Antanson on fishing trip with Edgar Bunker and Addie, What a day that was" G= Harold Stanley and wife Maui? Harding Stanley. H= Wheelbarrow race with Judy Towns (Holbrook) (white sweater back row center), Cann Penn (Bangor) August 1958 Church fair day. I= Eleanore Mildred Joy 7 months 4 days. J=Gertie Bunker. K= unknown infant. LMNOPQR=unknown individuals [show more] |
| 2019.428.2450 | Old view of Cranberry Road |
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| Enlarged reprint of an old view of Cranberry Road (perhaps a postcard view) with a mask identifying buildings along the road. Probably identified 1982 or later by someone who knew Tud Bunker (Doc Haydock?). | 
Description: Enlarged reprint of an old view of Cranberry Road (perhaps a postcard view) with a mask identifying buildings along the road. Probably identified 1982 or later by someone who knew Tud Bunker (Doc Haydock?). |
| 2019.430.2449 | Moorfield Storey family photographs |
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| Six Moorfield Storey (1845-1929) family photographs. A= Moorfield Storey on Cranberry Island 1928. B= Framed photo of Sue Storey [Lyman] and her horse Beauty in 1929. C=Artist Carl G. Nelson photo by David Westphal. D=Jr. Lovett "UncleBob", Aunt Bessie: Eliz Moorfield Storey Lovett and Gertrude Lovett Sturgis (photograph by Hermann, Bad Hauheim). E=Gathering of unidentified people on the lawn. F= Clarence Beal in his boat, Cranberry 1961. | 
Description: Six Moorfield Storey (1845-1929) family photographs. A= Moorfield Storey on Cranberry Island 1928. B= Framed photo of Sue Storey [Lyman] and her horse Beauty in 1929. C=Artist Carl G. Nelson photo by David Westphal. D=Jr. Lovett "UncleBob", Aunt Bessie: Eliz Moorfield Storey Lovett and Gertrude Lovett Sturgis (photograph by Hermann, Bad Hauheim). E=Gathering of unidentified people on the lawn. F= Clarence Beal in his boat, Cranberry 1961. [show more] |
