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| Catalogue # | Title | Type | Subject | Description | |
|---|---|---|---|---|---|
| 2013.241.2030 | Oil lamp with metal base and glass globe |
|
| Oil lamp with metal base, brass stand and pressed glass globe with fanlike motif in poor condition. Globe was cracked and repaired in several places. | 
Description: Oil lamp with metal base, brass stand and pressed glass globe with fanlike motif in poor condition. Globe was cracked and repaired in several places. |
| 2014.286.2035 | Glass globe light fixture |
|
| Light fixture. Glass globe from donor's kitchen ceiling light with connections and cap. White glass with two blue lines and pale blue band between them; brass base is painted beige. | 
Description: Light fixture. Glass globe from donor's kitchen ceiling light with connections and cap. White glass with two blue lines and pale blue band between them; brass base is painted beige. |
| 2016.348.2113 | Lamp, old schooner or boat running light |
|
| Lamp, old schooner or boat running light found in archives 2016. Wood, thickly layer of green paint with layer of red underneath, clear semi-circular glass lens, two wires running from inside lamp to exterior. Would likely have sat starboard (right) side as the light is painted green. A red light would sit on the dock (left) side so you can see which direction the boat is going even in the dark. | 
Description: Lamp, old schooner or boat running light found in archives 2016. Wood, thickly layer of green paint with layer of red underneath, clear semi-circular glass lens, two wires running from inside lamp to exterior. Would likely have sat starboard (right) side as the light is painted green. A red light would sit on the dock (left) side so you can see which direction the boat is going even in the dark. |
| 2016.342.2108 | Woven wool wall-hanging |
|
| Woven wool wall-hanging, browns and tans suggesting mountains, made by GCI artist Treg Laurence ca. 1970-1980. | 
Description: Woven wool wall-hanging, browns and tans suggesting mountains, made by GCI artist Treg Laurence ca. 1970-1980. |
| 2014.273.2010 | Hooked rug with wading waterbird |
|
| Rug. Hooked, yarn and jersey material, with note "...made by Eliza Stanley." White waterbird with yellow bill wading with cattails, mountains, and butterfly in background; brown border. Faded, torn, worn, repaired at some earlier time. Eliza Stanley b. 1888 and d. 1967. (Donor bought Eliza and Pink Stanley's house 1970.) | 
Description: Rug. Hooked, yarn and jersey material, with note "...made by Eliza Stanley." White waterbird with yellow bill wading with cattails, mountains, and butterfly in background; brown border. Faded, torn, worn, repaired at some earlier time. Eliza Stanley b. 1888 and d. 1967. (Donor bought Eliza and Pink Stanley's house 1970.) |
| 2002.78.1075 | Cherub Wall hanging |
|
| Wall Hanging gifted to Jan Moss from Gaile Colby in 1992 to celebrate Jan's first Grandchild. | 
Description: Wall Hanging gifted to Jan Moss from Gaile Colby in 1992 to celebrate Jan's first Grandchild. |
| 2014.288.2043 | Straw whisk broom |
|
| Straw whisk broom with metal and string binding, tag reads "Gift from Ladies Aid Society, ca. early 1900. | 
Description: Straw whisk broom with metal and string binding, tag reads "Gift from Ladies Aid Society, ca. early 1900. |
| 1000.0.1361 | Ornate metal picture frame |
|
| Frame. Ornate Metal Picture Frame for 4" to 6" pictures | 
Description: Frame. Ornate Metal Picture Frame for 4" to 6" pictures |
| 2010.501.2992 | Toothbrush and Glass Holder |
|
| A metal toothbrush and glass holder. It is meant to be mounted into a wall and have the toothbrushes hang from the bottom and the glass holder on the top. There are no marking on the toothbrush holder that allows for an accurate date. | 
Description: A metal toothbrush and glass holder. It is meant to be mounted into a wall and have the toothbrushes hang from the bottom and the glass holder on the top. There are no marking on the toothbrush holder that allows for an accurate date. |
| 2003.165.1186 | Stool for organ with red brocade top |
|
| Artifact, organ stool red brocade top | |
| 2018.413.2205 | Hooked rug "My Island Home" and book |
|
| Hooked rug depicting The Western Way on GCI designed and hooked by Barbara N. Sanborn Joy for Acadia National Park 2016 centennial. Book: Images of Acadia, Hancock County Hookers Celebrating 100 Years of Acadia National Park, 2016: photography by Judith Burger-Gossart, Edited by Rosemary and Garry Levin (A Shutterfly book) | 
Description: Hooked rug depicting The Western Way on GCI designed and hooked by Barbara N. Sanborn Joy for Acadia National Park 2016 centennial. Book: Images of Acadia, Hancock County Hookers Celebrating 100 Years of Acadia National Park, 2016: photography by Judith Burger-Gossart, Edited by Rosemary and Garry Levin (A Shutterfly book) |
| 2017.382.2156 | Wooden commode |
|
| Wooden commode (potty seat/toilet chair) with lid. One of several items from donors in summer 2016 prior to selling their house on The Lane, GCI. Many items pertain to the Lulu Alley family. Items were in the house when donor's parents, June and Ed Sampson, bought the house from Lulu in November 1969. The house was built for Lulu Steele when she married Lewis Alley 1914(?); Lulu died in 2004. House is said to be a ca. 1914 Sears Roebuck modular home, similar to several others on GCI. The garage on the property was built by Mike Westphal in the 1980s. Big cook stove in kitchen is original. It was the only heat and only stove in the house originally. Rocking chair in house is original. Kitchen cabinetry on right of sink is original. Woodstove in the living room is 1973. | 
Description: Wooden commode (potty seat/toilet chair) with lid. One of several items from donors in summer 2016 prior to selling their house on The Lane, GCI. Many items pertain to the Lulu Alley family. Items were in the house when donor's parents, June and Ed Sampson, bought the house from Lulu in November 1969. The house was built for Lulu Steele when she married Lewis Alley 1914(?); Lulu died in 2004. House is said to be a ca. 1914 Sears Roebuck modular home, similar to several others on GCI. The garage on the property was built by Mike Westphal in the 1980s. Big cook stove in kitchen is original. It was the only heat and only stove in the house originally. Rocking chair in house is original. Kitchen cabinetry on right of sink is original. Woodstove in the living room is 1973. [show more] |
| 1000.0.1309 | Taxidermist made Stuffed Pheasant |
|
| Taxidermy, bird, stuffed pheasant, maker unknown | 
Description: Taxidermy, bird, stuffed pheasant, maker unknown |
| 1000.0.1223 | Lantern |
|
| Lantern | |
| 2013.214.1932 | Braided, oval, rug |
|
| Rug, braided, oval; starting in the center, predominantly green, brown, and orange patterned loops grow larger, then the colors change to blue, pink, brown, and red, culminating in a black border; colors in each loop change even within the loop; the fourth and fifth loops from the outside have become disconnected, and several other loops are loose. | 
Description: Rug, braided, oval; starting in the center, predominantly green, brown, and orange patterned loops grow larger, then the colors change to blue, pink, brown, and red, culminating in a black border; colors in each loop change even within the loop; the fourth and fifth loops from the outside have become disconnected, and several other loops are loose. |
| 2000.6.1935 | Modified rocking chair with swivel tray |
|
| Furniture. Rocking chair with swivel tray. Wood. Original black rocker with gold scroll work on seat and back has been modified with addition of a swiveling, wooden tray affixed to the chair arms. Rocker blades may have been shortened. Rocker may have had a signature, Stanley, visible on it at one time. Phil Whitney recollects in 2015 that this rocker was rescued from his family's house (across the street from his present home) during their house fire. It may have been his mother's rocker (d.o.b. 1911), or perhaps his great great grandmother Sidney Hamor Bunker who died in 1918, or his great grandmother, Julia Bunker Spurling. (From Ladies Aid 2000) | 
Description: Furniture. Rocking chair with swivel tray. Wood. Original black rocker with gold scroll work on seat and back has been modified with addition of a swiveling, wooden tray affixed to the chair arms. Rocker blades may have been shortened. Rocker may have had a signature, Stanley, visible on it at one time. Phil Whitney recollects in 2015 that this rocker was rescued from his family's house (across the street from his present home) during their house fire. It may have been his mother's rocker (d.o.b. 1911), or perhaps his great great grandmother Sidney Hamor Bunker who died in 1918, or his great grandmother, Julia Bunker Spurling. (From Ladies Aid 2000) [show more] |
| 2005.138.2026 | Hooked rug with geometric dog motif |
| Rug. Hooked, wool, green and beige geometric dog motif. Made on Cranberry Isles 1902-1905. One of two similar rugs from same donor. Donor inherited this rug and believes it belonged to Miriam Reynolds, one of several Mount Desert summer residents who established a rug-making cottage industry on Cranberry Island. Donor explained: "Reynolds was part of the family of William Reed Huntington, who spent summers in Northeast Harbor starting around 1886. Mrs. Huntington died years before, leaving four small children, and her older sister, Miriam, moved in to take care of them. The youngest of the four was Mary, who later married William Thompson. They summered in Tamworth, New Hampshire, and this rug was in their house there. The house was inherited by their second son, Charles G. Thompson. When Charles's daughter Victoria married Dr. James S. Murphy, a Seal Harbor summer resident, she was given the Cranberry rug (by then quite worn) so that it might return to nearer its origin. For forty years it lived in Seal Harbor, but when Victoria's daughter Alice married Cranberry Island summer resident Bill Bancroft, the rug came home!" This rug was repaired in the same manner as the crab-motif rug, but is in much worse condition. It, too, lacks the CR monogram that was usually worked into one corner or on the selvage at the back of rugs that were made specifically by the Cranberry Island Club rug makers at the turn of the century. From "Bulletin of the Bureau of Labor", #55 (Nov. 1904), pp 1573-1622, the article "The Revival of Handicrafts in America." by Max West, Ph. D. states: Cranberry Islanders ".... were already familiar with the process of hooking rugs; and they were fortunate in having the benefit of the initiative, moral support, and financial backing of Mrs. Seth Low, Miss Miriam P. Reynolds, and one or two other New York women whose summer homes are at Northeast Harbor, as well as in obtaining the aid of capable designers. The industry was started on a small scale in the autumn of 1901, under the supervision of Miss Amy Mali Hicks, a designer identified with the arts and crafts movement in New York City, who designed the patterns and gave instruction in dyeing, etc. ..." | 
Description: Rug. Hooked, wool, green and beige geometric dog motif. Made on Cranberry Isles 1902-1905. One of two similar rugs from same donor. Donor inherited this rug and believes it belonged to Miriam Reynolds, one of several Mount Desert summer residents who established a rug-making cottage industry on Cranberry Island. Donor explained: "Reynolds was part of the family of William Reed Huntington, who spent summers in Northeast Harbor starting around 1886. Mrs. Huntington died years before, leaving four small children, and her older sister, Miriam, moved in to take care of them. The youngest of the four was Mary, who later married William Thompson. They summered in Tamworth, New Hampshire, and this rug was in their house there. The house was inherited by their second son, Charles G. Thompson. When Charles's daughter Victoria married Dr. James S. Murphy, a Seal Harbor summer resident, she was given the Cranberry rug (by then quite worn) so that it might return to nearer its origin. For forty years it lived in Seal Harbor, but when Victoria's daughter Alice married Cranberry Island summer resident Bill Bancroft, the rug came home!" This rug was repaired in the same manner as the crab-motif rug, but is in much worse condition. It, too, lacks the CR monogram that was usually worked into one corner or on the selvage at the back of rugs that were made specifically by the Cranberry Island Club rug makers at the turn of the century. From "Bulletin of the Bureau of Labor", #55 (Nov. 1904), pp 1573-1622, the article "The Revival of Handicrafts in America." by Max West, Ph. D. states: Cranberry Islanders ".... were already familiar with the process of hooking rugs; and they were fortunate in having the benefit of the initiative, moral support, and financial backing of Mrs. Seth Low, Miss Miriam P. Reynolds, and one or two other New York women whose summer homes are at Northeast Harbor, as well as in obtaining the aid of capable designers. The industry was started on a small scale in the autumn of 1901, under the supervision of Miss Amy Mali Hicks, a designer identified with the arts and crafts movement in New York City, who designed the patterns and gave instruction in dyeing, etc. ..." [show more] | |
| 2005.138.2025 | Hooked rug with crab motif |
|
| Rug. Green and beige crab motif. Hooked, wool, sheared on burlap, 29.5" x 64.5". Made on Cranberry Isles 1902-1905. One of two similar rugs from same donor. (See 2005.138.2026 dog-motif rug.) Donor states her sister recovered this rug from the storage shed at their parents' house in New Hampshire after reading the Bangor Daily News article about her earlier donation of the dog-motif rug; and that this rug was repaired in the same manner as that rug, but is in much better condition. This rug lacks the CR monogram that was usually worked into one corner or on the selvage at the back of rugs that were made specifically by the Cranberry Island Club rug makers at the turn of the century. But it likely shares the provenance of the dog-motif rug described by its donor and its connection to Miriam P. Reynolds of Northeast Harbor and her family's New Hampshire connection. From "Bulletin of the Bureau of Labor", #55 (Nov. 1904), pp 1573-1622, the article "The Revival of Handicrafts in America." by Max West, Ph. D. states: Cranberry Islanders ".... were already familiar with the process of hooking rugs; and they were fortunate in having the benefit of the initiative, moral support, and financial backing of Mrs. Seth Low, Miss Miriam P. Reynolds, and one or two other New York women whose summer homes are at Northeast Harbor, as well as in obtaining the aid of capable designers. The industry was started on a small scale in the autumn of 1901, under the supervision of Miss Amy Mali Hicks, a designer identified with the arts and crafts movement in New York City, who designed the patterns and gave instruction in dyeing, etc. ..." (See also "Three Centuries of Hooking, Mount Desert Island Historical Society, 2009, p. 20-21.) | 
Description: Rug. Green and beige crab motif. Hooked, wool, sheared on burlap, 29.5" x 64.5". Made on Cranberry Isles 1902-1905. One of two similar rugs from same donor. (See 2005.138.2026 dog-motif rug.) Donor states her sister recovered this rug from the storage shed at their parents' house in New Hampshire after reading the Bangor Daily News article about her earlier donation of the dog-motif rug; and that this rug was repaired in the same manner as that rug, but is in much better condition. This rug lacks the CR monogram that was usually worked into one corner or on the selvage at the back of rugs that were made specifically by the Cranberry Island Club rug makers at the turn of the century. But it likely shares the provenance of the dog-motif rug described by its donor and its connection to Miriam P. Reynolds of Northeast Harbor and her family's New Hampshire connection. From "Bulletin of the Bureau of Labor", #55 (Nov. 1904), pp 1573-1622, the article "The Revival of Handicrafts in America." by Max West, Ph. D. states: Cranberry Islanders ".... were already familiar with the process of hooking rugs; and they were fortunate in having the benefit of the initiative, moral support, and financial backing of Mrs. Seth Low, Miss Miriam P. Reynolds, and one or two other New York women whose summer homes are at Northeast Harbor, as well as in obtaining the aid of capable designers. The industry was started on a small scale in the autumn of 1901, under the supervision of Miss Amy Mali Hicks, a designer identified with the arts and crafts movement in New York City, who designed the patterns and gave instruction in dyeing, etc. ..." (See also "Three Centuries of Hooking, Mount Desert Island Historical Society, 2009, p. 20-21.) [show more] |
| 2013.241.1976 | Braided rug |
|
| Rug. Braided with hooked center element. Concentric rings of browns, blacks, and greens with pale blue, red, and maroon flowers in hooked center square. Reverse side of rug has patch of brown cotton fabric with coral and beige flower decoration 16.5 x 17" serving as backing for the hooked flowers. Edges badly worn. Hole by the maroon flower. Some separation between the concentric braided rings. | 
Description: Rug. Braided with hooked center element. Concentric rings of browns, blacks, and greens with pale blue, red, and maroon flowers in hooked center square. Reverse side of rug has patch of brown cotton fabric with coral and beige flower decoration 16.5 x 17" serving as backing for the hooked flowers. Edges badly worn. Hole by the maroon flower. Some separation between the concentric braided rings. |
| 2016.359.2124 | Six small hooked rugs |
|
| Rugs. A collection of six small hooked rugs of various shapes, fabrics, sizes, and patterns - likely early 20th century and made locally. Donor's sister-in-law, Holly Hartley, a summer resident in the house on Preble Cove, GCI, that donor now owns and where the rugs were used recalls: "The two worn, rectangular rugs are very familiar to me. I'm certain that my grandmother collected them, as I am sure they were in the house from the time I first came to Cranberry in 1946 at 2-years-old. The other two are not familiar to me. They seem a different aesthetic entirely - multiple types of flowers, lots of different colors, the use of shading. I wonder whether or not my Mother or my sister Vicky collected them. I know my grandmother had braided rugs that were made by Margie Phippen and her sister Hilde Spurling and their mother, Pink Bulger. No 6 is very familiar to me and I also think no 5 was in the house for a long time. I am now asking myself their locations in the house. I know we walked on them and I think they were in hallways and bedrooms. I still don't know the artist but I think these two are among the older ones." See photographs of backs and fronts of each rug. | 
Description: Rugs. A collection of six small hooked rugs of various shapes, fabrics, sizes, and patterns - likely early 20th century and made locally. Donor's sister-in-law, Holly Hartley, a summer resident in the house on Preble Cove, GCI, that donor now owns and where the rugs were used recalls: "The two worn, rectangular rugs are very familiar to me. I'm certain that my grandmother collected them, as I am sure they were in the house from the time I first came to Cranberry in 1946 at 2-years-old. The other two are not familiar to me. They seem a different aesthetic entirely - multiple types of flowers, lots of different colors, the use of shading. I wonder whether or not my Mother or my sister Vicky collected them. I know my grandmother had braided rugs that were made by Margie Phippen and her sister Hilde Spurling and their mother, Pink Bulger. No 6 is very familiar to me and I also think no 5 was in the house for a long time. I am now asking myself their locations in the house. I know we walked on them and I think they were in hallways and bedrooms. I still don't know the artist but I think these two are among the older ones." See photographs of backs and fronts of each rug. [show more] |
| 2015.331.2093 | Hooked rug with clamshell design |
|
| Rug. Hooked rug, with clamshell design. Description for clamshell from donor's 1987 appraisal at Thomaston Galleries: HOOKED RUG: woolens on burlap with 1/2”-wide braided border. Dark band enclosing tight rows of dark polychrome “Clam Shells”. Good overall condition. 20th c. American Dim: 28” x 47”. Donor doesn't know if it was made on GCI, but recalls it being in her mother's GCI home when she was a child. | 
Description: Rug. Hooked rug, with clamshell design. Description for clamshell from donor's 1987 appraisal at Thomaston Galleries: HOOKED RUG: woolens on burlap with 1/2”-wide braided border. Dark band enclosing tight rows of dark polychrome “Clam Shells”. Good overall condition. 20th c. American Dim: 28” x 47”. Donor doesn't know if it was made on GCI, but recalls it being in her mother's GCI home when she was a child. |
| 2015.331.2094 | Hooked rug with floral design |
|
| Rug. Hooked rug, with floral design. Donor doesn't know if it was made on GCI, but recalls it being in her mother's GCI home when she was a child. Rug is hooked with stockings and fabric on burlap. | 
Description: Rug. Hooked rug, with floral design. Donor doesn't know if it was made on GCI, but recalls it being in her mother's GCI home when she was a child. Rug is hooked with stockings and fabric on burlap. |
| 2016.335.2101 | Braided rugs and pot holder by Addie Duren |
|
| Rugs: two braided multi-colored rugs; and one cloth pot holder. These three items were all made by GCI resident Addie Duren. Rug (A) is oval shaped, brightly colored reds, blues, purples, greys 46" long by 32.5" wide. Rug (B) is oval shaped, black and tan overall 56" long x 39" wide. There is a story that when the Duren house caught fire (19xx?), it was Addie's rags and rug-making materials stored in the attic that kept the fire from spreading rapidly through whole house. Pot holder (C) has crocheted edges with dancing girl and pink backing. | 
Description: Rugs: two braided multi-colored rugs; and one cloth pot holder. These three items were all made by GCI resident Addie Duren. Rug (A) is oval shaped, brightly colored reds, blues, purples, greys 46" long by 32.5" wide. Rug (B) is oval shaped, black and tan overall 56" long x 39" wide. There is a story that when the Duren house caught fire (19xx?), it was Addie's rags and rug-making materials stored in the attic that kept the fire from spreading rapidly through whole house. Pot holder (C) has crocheted edges with dancing girl and pink backing. [show more] |
| 2013.214.1930 | Braided, oval rug |
|
| Rug, braided, oval; starting in the center, predominantly various red patterns; black, brown, gray, tan, and blue as the loops grow larger, culminating in a black border | 
Description: Rug, braided, oval; starting in the center, predominantly various red patterns; black, brown, gray, tan, and blue as the loops grow larger, culminating in a black border |
| 2013.214.1931 | Braided rug |
|
| Rug, braided, oval; starting in the center, predominantly black/white loops grow larger, then the colors change to gray/black, green/gray, and red/tan, culminating in a gray/black border; dirty and worn | 
Description: Rug, braided, oval; starting in the center, predominantly black/white loops grow larger, then the colors change to gray/black, green/gray, and red/tan, culminating in a gray/black border; dirty and worn |
