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| Catalogue # | Title | Type | Subject | Description | |
|---|---|---|---|---|---|
| 2012.201.1595 | "Art Show, sale to aid island museum, cultural center" article about GCIHS 2005 |
|
| Newspaper clipping. From the Bangor Daily News dated Wednesday, July 27, 2005 Regional B5. Article is titled "Art Show, sale to aid island museum, cultural center" A portion of the text in the article reads " Organizers have high hopes for Thursday's one-day art exhibit and silent auction at the Neighborhook House in Northeast Harbor, which will feature artworks inspired by the island's rock-bound beauty." "I think it's going to be a real fun time for everyone," Wini Smart, artist and president of the Great Cranberry Island Historical Society, said last week. The article goes on to say, "some of the better-known expressionist artists whose work will be displayed include C. Scott White, William Kienbusch, Carl Nelson and Dorothy Eisner." "Two of Nelson's oil paintings will be auctioned off alongside works by present- day island artists Ashley Bryan, Smart, Gail Cleveland, Sue Hand and David Little, among others. Jewelry by island artists Lisa Hall and Sam Shaw will go on the block, too, and will be joined by handmade quilts, crafts and a plethora of gift certificates. If the fundraising for the $375,000 refurbishment of the historical society's Cranberry House is successful, the island will be even more lively. Plans are under way to turn the old wooden structure into a combination museum and a place for small theater, muscial events, art workshops and a cafe'. Last year, $139,000 was raised for the project. Smart said she hopes that the coming art auction will provide an additional $50,000." See picture of item #1595 for complete article. | 
Description: Newspaper clipping. From the Bangor Daily News dated Wednesday, July 27, 2005 Regional B5. Article is titled "Art Show, sale to aid island museum, cultural center" A portion of the text in the article reads " Organizers have high hopes for Thursday's one-day art exhibit and silent auction at the Neighborhook House in Northeast Harbor, which will feature artworks inspired by the island's rock-bound beauty." "I think it's going to be a real fun time for everyone," Wini Smart, artist and president of the Great Cranberry Island Historical Society, said last week. The article goes on to say, "some of the better-known expressionist artists whose work will be displayed include C. Scott White, William Kienbusch, Carl Nelson and Dorothy Eisner." "Two of Nelson's oil paintings will be auctioned off alongside works by present- day island artists Ashley Bryan, Smart, Gail Cleveland, Sue Hand and David Little, among others. Jewelry by island artists Lisa Hall and Sam Shaw will go on the block, too, and will be joined by handmade quilts, crafts and a plethora of gift certificates. If the fundraising for the $375,000 refurbishment of the historical society's Cranberry House is successful, the island will be even more lively. Plans are under way to turn the old wooden structure into a combination museum and a place for small theater, muscial events, art workshops and a cafe'. Last year, $139,000 was raised for the project. Smart said she hopes that the coming art auction will provide an additional $50,000." See picture of item #1595 for complete article. [show more] |
| 2018.417.2280 | Base and spinning wheel head for a 'walking' or 'great' spinning wheel |
|
| Three-legged base for a 'walking' or 'great' spinning wheel. Base was originally from the attic of the Scudder house on the north shore of Islesford. Head is termed a 'minor' head made of wood and iron; it came from the donor's wheel in Sullivan, Maine. Donor is a spinner and weaver, and lectures about heritage textiles. She noticed GCIHS had a wheel with no base in collection (GCIHS 2015.312.2072). The two parts married up perfectly. Wheel dates to ca. 1880s; Shakers made this type of great wheel. | 
Description: Three-legged base for a 'walking' or 'great' spinning wheel. Base was originally from the attic of the Scudder house on the north shore of Islesford. Head is termed a 'minor' head made of wood and iron; it came from the donor's wheel in Sullivan, Maine. Donor is a spinner and weaver, and lectures about heritage textiles. She noticed GCIHS had a wheel with no base in collection (GCIHS 2015.312.2072). The two parts married up perfectly. Wheel dates to ca. 1880s; Shakers made this type of great wheel. [show more] |
| 2013.214.1930 | Braided, oval rug |
|
| Rug, braided, oval; starting in the center, predominantly various red patterns; black, brown, gray, tan, and blue as the loops grow larger, culminating in a black border | 
Description: Rug, braided, oval; starting in the center, predominantly various red patterns; black, brown, gray, tan, and blue as the loops grow larger, culminating in a black border |
| 2013.214.1932 | Braided, oval, rug |
|
| Rug, braided, oval; starting in the center, predominantly green, brown, and orange patterned loops grow larger, then the colors change to blue, pink, brown, and red, culminating in a black border; colors in each loop change even within the loop; the fourth and fifth loops from the outside have become disconnected, and several other loops are loose. | 
Description: Rug, braided, oval; starting in the center, predominantly green, brown, and orange patterned loops grow larger, then the colors change to blue, pink, brown, and red, culminating in a black border; colors in each loop change even within the loop; the fourth and fifth loops from the outside have become disconnected, and several other loops are loose. |
| 2013.214.1931 | Braided rug |
|
| Rug, braided, oval; starting in the center, predominantly black/white loops grow larger, then the colors change to gray/black, green/gray, and red/tan, culminating in a gray/black border; dirty and worn | 
Description: Rug, braided, oval; starting in the center, predominantly black/white loops grow larger, then the colors change to gray/black, green/gray, and red/tan, culminating in a gray/black border; dirty and worn |
| 2013.241.1976 | Braided rug |
|
| Rug. Braided with hooked center element. Concentric rings of browns, blacks, and greens with pale blue, red, and maroon flowers in hooked center square. Reverse side of rug has patch of brown cotton fabric with coral and beige flower decoration 16.5 x 17" serving as backing for the hooked flowers. Edges badly worn. Hole by the maroon flower. Some separation between the concentric braided rings. | 
Description: Rug. Braided with hooked center element. Concentric rings of browns, blacks, and greens with pale blue, red, and maroon flowers in hooked center square. Reverse side of rug has patch of brown cotton fabric with coral and beige flower decoration 16.5 x 17" serving as backing for the hooked flowers. Edges badly worn. Hole by the maroon flower. Some separation between the concentric braided rings. |
| 2016.335.2101 | Braided rugs and pot holder by Addie Duren |
|
| Rugs: two braided multi-colored rugs; and one cloth pot holder. These three items were all made by GCI resident Addie Duren. Rug (A) is oval shaped, brightly colored reds, blues, purples, greys 46" long by 32.5" wide. Rug (B) is oval shaped, black and tan overall 56" long x 39" wide. There is a story that when the Duren house caught fire (19xx?), it was Addie's rags and rug-making materials stored in the attic that kept the fire from spreading rapidly through whole house. Pot holder (C) has crocheted edges with dancing girl and pink backing. | 
Description: Rugs: two braided multi-colored rugs; and one cloth pot holder. These three items were all made by GCI resident Addie Duren. Rug (A) is oval shaped, brightly colored reds, blues, purples, greys 46" long by 32.5" wide. Rug (B) is oval shaped, black and tan overall 56" long x 39" wide. There is a story that when the Duren house caught fire (19xx?), it was Addie's rags and rug-making materials stored in the attic that kept the fire from spreading rapidly through whole house. Pot holder (C) has crocheted edges with dancing girl and pink backing. [show more] |
| 2013.239.1957 | Cast iron clamps used by Ladies Aid members when quilting |
|
| Tool. Seven cast iron clamps used by Ladies Aid members when quilting. Each clamp has a three-lobed key head on a threaded rod with floating foot. Four larger clamps (5.5" L x 2.5" W x .5" H): No. 50, E.C. STEARNS & CO., SYRACUSE N.Y.. Three smaller black clamps (4.5" L x 2.25 W x .5" H): E.C. STEARNS & CO., SYRACUSE N.Y. | 
Description: Tool. Seven cast iron clamps used by Ladies Aid members when quilting. Each clamp has a three-lobed key head on a threaded rod with floating foot. Four larger clamps (5.5" L x 2.5" W x .5" H): No. 50, E.C. STEARNS & CO., SYRACUSE N.Y.. Three smaller black clamps (4.5" L x 2.25 W x .5" H): E.C. STEARNS & CO., SYRACUSE N.Y. |
| 1000.27.795 | Cranberry Island Rugs |
|
| Letter (copy) sent by Hugh L. Dwelley to Mildred Cole Peledeau in 2004, about Cranberry Island Rugs. Hugh's letter includes several patterns for rugs: "Jefferson's Fancy", "Dimond Diaper", "Rose of Sharon", and some unlabeled. The patterns are also labeled "Mrs. Eliza Murray", "1840", and "1844". A photo of some samples made form the patterns in 1999. | 
Description: Letter (copy) sent by Hugh L. Dwelley to Mildred Cole Peledeau in 2004, about Cranberry Island Rugs. Hugh's letter includes several patterns for rugs: "Jefferson's Fancy", "Dimond Diaper", "Rose of Sharon", and some unlabeled. The patterns are also labeled "Mrs. Eliza Murray", "1840", and "1844". A photo of some samples made form the patterns in 1999. |
| 1000.27.801 | Cranberry Quilts by Charlotte Harlan 2006 |
|
| Booklet, "Cranberry Quilts" by Charlotte Harlan. Photos and descriptions of 27 quilts shown at "Arts: Creative Works of the Cranberry Isles" exhibit, 20 July 2006, in Northeast Harbor Neighborhood House, as a Cranberry House fundraiser. | 
Description: Booklet, "Cranberry Quilts" by Charlotte Harlan. Photos and descriptions of 27 quilts shown at "Arts: Creative Works of the Cranberry Isles" exhibit, 20 July 2006, in Northeast Harbor Neighborhood House, as a Cranberry House fundraiser. |
| 2014.270.2007 | Crazy Quilt Preble House |
|
| Quilt. Colorful wool, cotton, flannel, and jersey fabrics made of geometric and freeform shapes and patterns including plaids, tweeds, and solid colors. Reverse side is a solid rough beige cotton with pale blue stripes; there are decorative beige yarn ties along the blue stripes with a few pink yarn ties interspersed. Edges are folded in and machine (?) hemmed, there is no border. Possible ornate script initials - one of which is may be an "L". Some discoloration and stains. This quilt is one of two recovered from the Preble House. (See also quilt 1000.140.1138 from the same donor.) (Note: Lynne Birlem (donor 343) has a very similar framed crazy quilt at her home that is from her great grandmother Hamor's house on GCI.) | 
Description: Quilt. Colorful wool, cotton, flannel, and jersey fabrics made of geometric and freeform shapes and patterns including plaids, tweeds, and solid colors. Reverse side is a solid rough beige cotton with pale blue stripes; there are decorative beige yarn ties along the blue stripes with a few pink yarn ties interspersed. Edges are folded in and machine (?) hemmed, there is no border. Possible ornate script initials - one of which is may be an "L". Some discoloration and stains. This quilt is one of two recovered from the Preble House. (See also quilt 1000.140.1138 from the same donor.) (Note: Lynne Birlem (donor 343) has a very similar framed crazy quilt at her home that is from her great grandmother Hamor's house on GCI.) [show more] |
| 1000.186.1346 | Four-legged spinning wheel |
|
| Small, wooden, four-legged flax spinning wheel with flat table, grooved wheel. "FARNHAM Near Owego" impressed into base. This four-legged wheel is missing part(s). [Note: http://collections.mohistory.org/resource/198156.html says Joel Farnhan was a wheelwright and cabinet maker who moved from PA to Owego NY in 1794.By the 1820s he had a well-established milling and wheelwright business which passed on to his youngest son Frederick, who began producing his own wheels by the 1840s.] | 
Description: Small, wooden, four-legged flax spinning wheel with flat table, grooved wheel. "FARNHAM Near Owego" impressed into base. This four-legged wheel is missing part(s). [Note: http://collections.mohistory.org/resource/198156.html says Joel Farnhan was a wheelwright and cabinet maker who moved from PA to Owego NY in 1794.By the 1820s he had a well-established milling and wheelwright business which passed on to his youngest son Frederick, who began producing his own wheels by the 1840s.] [show more] |
| 2014.484.2971 | Great Cranberry Island Historical Society Women's Winter Work Project Quilts |
|
| Questionnaires to gather information about quilts made by GCI women including members of the Ladies Aid Society. The intent was to photograph the quilts to create a photographic record of Cranberry Island's women's winter work. Includes forms from 20 quilters. | 
Description: Questionnaires to gather information about quilts made by GCI women including members of the Ladies Aid Society. The intent was to photograph the quilts to create a photographic record of Cranberry Island's women's winter work. Includes forms from 20 quilters. |
| 2015.312.2072 | Great wheel spinning wheel |
|
| Wheel from a 'walking' a.k.a. 'great' spinning wheel. Smooth wooden wheel, 45" diameter with brass core in hub of wheel. Rusted nail heads visible where wood overlaps on exterior of wheel and also where several spokes meet the wheel. No other parts of this walking wheel have been located. (It may have come from the Liebow house originally.) This wheel was installed on a 2018 donation of a spinning wheel base from Islesford that fits perfectly. | 
Description: Wheel from a 'walking' a.k.a. 'great' spinning wheel. Smooth wooden wheel, 45" diameter with brass core in hub of wheel. Rusted nail heads visible where wood overlaps on exterior of wheel and also where several spokes meet the wheel. No other parts of this walking wheel have been located. (It may have come from the Liebow house originally.) This wheel was installed on a 2018 donation of a spinning wheel base from Islesford that fits perfectly. [show more] |
| 2018.413.2205 | Hooked rug "My Island Home" and book |
|
| Hooked rug depicting The Western Way on GCI designed and hooked by Barbara N. Sanborn Joy for Acadia National Park 2016 centennial. Book: Images of Acadia, Hancock County Hookers Celebrating 100 Years of Acadia National Park, 2016: photography by Judith Burger-Gossart, Edited by Rosemary and Garry Levin (A Shutterfly book) | 
Description: Hooked rug depicting The Western Way on GCI designed and hooked by Barbara N. Sanborn Joy for Acadia National Park 2016 centennial. Book: Images of Acadia, Hancock County Hookers Celebrating 100 Years of Acadia National Park, 2016: photography by Judith Burger-Gossart, Edited by Rosemary and Garry Levin (A Shutterfly book) |
| 2002.78.567 | Hooked rug stencils and patterns |
|
| Document, 3 laminated pages, copied from a book, "Introduction, by Robert G. Wheeler, Vice President", being a history of Edward Sands Frost, creator of the Frost hooked rug stencils and patterns, in 1868, with photo of Edward Sands Frost and Mrs. Charlotte K. Stratton (pg 4 & pg 5 from book) plus Pattern numbers 53, 126, and 101, all depicting horses (pg 14 from book). | 
Description: Document, 3 laminated pages, copied from a book, "Introduction, by Robert G. Wheeler, Vice President", being a history of Edward Sands Frost, creator of the Frost hooked rug stencils and patterns, in 1868, with photo of Edward Sands Frost and Mrs. Charlotte K. Stratton (pg 4 & pg 5 from book) plus Pattern numbers 53, 126, and 101, all depicting horses (pg 14 from book). |
| 2015.331.2093 | Hooked rug with clamshell design |
|
| Rug. Hooked rug, with clamshell design. Description for clamshell from donor's 1987 appraisal at Thomaston Galleries: HOOKED RUG: woolens on burlap with 1/2”-wide braided border. Dark band enclosing tight rows of dark polychrome “Clam Shells”. Good overall condition. 20th c. American Dim: 28” x 47”. Donor doesn't know if it was made on GCI, but recalls it being in her mother's GCI home when she was a child. | 
Description: Rug. Hooked rug, with clamshell design. Description for clamshell from donor's 1987 appraisal at Thomaston Galleries: HOOKED RUG: woolens on burlap with 1/2”-wide braided border. Dark band enclosing tight rows of dark polychrome “Clam Shells”. Good overall condition. 20th c. American Dim: 28” x 47”. Donor doesn't know if it was made on GCI, but recalls it being in her mother's GCI home when she was a child. |
| 2005.138.2025 | Hooked rug with crab motif |
|
| Rug. Green and beige crab motif. Hooked, wool, sheared on burlap, 29.5" x 64.5". Made on Cranberry Isles 1902-1905. One of two similar rugs from same donor. (See 2005.138.2026 dog-motif rug.) Donor states her sister recovered this rug from the storage shed at their parents' house in New Hampshire after reading the Bangor Daily News article about her earlier donation of the dog-motif rug; and that this rug was repaired in the same manner as that rug, but is in much better condition. This rug lacks the CR monogram that was usually worked into one corner or on the selvage at the back of rugs that were made specifically by the Cranberry Island Club rug makers at the turn of the century. But it likely shares the provenance of the dog-motif rug described by its donor and its connection to Miriam P. Reynolds of Northeast Harbor and her family's New Hampshire connection. From "Bulletin of the Bureau of Labor", #55 (Nov. 1904), pp 1573-1622, the article "The Revival of Handicrafts in America." by Max West, Ph. D. states: Cranberry Islanders ".... were already familiar with the process of hooking rugs; and they were fortunate in having the benefit of the initiative, moral support, and financial backing of Mrs. Seth Low, Miss Miriam P. Reynolds, and one or two other New York women whose summer homes are at Northeast Harbor, as well as in obtaining the aid of capable designers. The industry was started on a small scale in the autumn of 1901, under the supervision of Miss Amy Mali Hicks, a designer identified with the arts and crafts movement in New York City, who designed the patterns and gave instruction in dyeing, etc. ..." (See also "Three Centuries of Hooking, Mount Desert Island Historical Society, 2009, p. 20-21.) | 
Description: Rug. Green and beige crab motif. Hooked, wool, sheared on burlap, 29.5" x 64.5". Made on Cranberry Isles 1902-1905. One of two similar rugs from same donor. (See 2005.138.2026 dog-motif rug.) Donor states her sister recovered this rug from the storage shed at their parents' house in New Hampshire after reading the Bangor Daily News article about her earlier donation of the dog-motif rug; and that this rug was repaired in the same manner as that rug, but is in much better condition. This rug lacks the CR monogram that was usually worked into one corner or on the selvage at the back of rugs that were made specifically by the Cranberry Island Club rug makers at the turn of the century. But it likely shares the provenance of the dog-motif rug described by its donor and its connection to Miriam P. Reynolds of Northeast Harbor and her family's New Hampshire connection. From "Bulletin of the Bureau of Labor", #55 (Nov. 1904), pp 1573-1622, the article "The Revival of Handicrafts in America." by Max West, Ph. D. states: Cranberry Islanders ".... were already familiar with the process of hooking rugs; and they were fortunate in having the benefit of the initiative, moral support, and financial backing of Mrs. Seth Low, Miss Miriam P. Reynolds, and one or two other New York women whose summer homes are at Northeast Harbor, as well as in obtaining the aid of capable designers. The industry was started on a small scale in the autumn of 1901, under the supervision of Miss Amy Mali Hicks, a designer identified with the arts and crafts movement in New York City, who designed the patterns and gave instruction in dyeing, etc. ..." (See also "Three Centuries of Hooking, Mount Desert Island Historical Society, 2009, p. 20-21.) [show more] |
| 2015.331.2094 | Hooked rug with floral design |
|
| Rug. Hooked rug, with floral design. Donor doesn't know if it was made on GCI, but recalls it being in her mother's GCI home when she was a child. Rug is hooked with stockings and fabric on burlap. | 
Description: Rug. Hooked rug, with floral design. Donor doesn't know if it was made on GCI, but recalls it being in her mother's GCI home when she was a child. Rug is hooked with stockings and fabric on burlap. |
| 2014.273.2010 | Hooked rug with wading waterbird |
|
| Rug. Hooked, yarn and jersey material, with note "...made by Eliza Stanley." White waterbird with yellow bill wading with cattails, mountains, and butterfly in background; brown border. Faded, torn, worn, repaired at some earlier time. Eliza Stanley b. 1888 and d. 1967. (Donor bought Eliza and Pink Stanley's house 1970.) | 
Description: Rug. Hooked, yarn and jersey material, with note "...made by Eliza Stanley." White waterbird with yellow bill wading with cattails, mountains, and butterfly in background; brown border. Faded, torn, worn, repaired at some earlier time. Eliza Stanley b. 1888 and d. 1967. (Donor bought Eliza and Pink Stanley's house 1970.) |
| 2000.233.72 | How to make a quilt |
|
| Directions, how to make a quilt | |
| 1000.0.779 | Ladies Home Journal 1908 |
|
| Magazine, "Ladies Home Journal," Curtis Publishing Company, Philadelphia. Issue of March 1908, "The Spring Fashion Number with 100 Fashion Pictures." | 
Description: Magazine, "Ladies Home Journal," Curtis Publishing Company, Philadelphia. Issue of March 1908, "The Spring Fashion Number with 100 Fashion Pictures." |
| 1000.0.778 | Ladies Home Journal 1911 |
|
| Magazine, "Ladies Home Journal," Curtis Publishing Company, Philadelphia. Issue of 15 May 1911, "The Girls Mid-May Number", with postal label addressed to Mrs Wm Bulger, Cranberry Isle, Maine. | 
Description: Magazine, "Ladies Home Journal," Curtis Publishing Company, Philadelphia. Issue of 15 May 1911, "The Girls Mid-May Number", with postal label addressed to Mrs Wm Bulger, Cranberry Isle, Maine. |
| 2005.119.1004 | "Maine Life" article about Ladies Aid and Cranberry Quilters |
|
| Magazine "Maine Life" with article about the Ladies Aid and the Cranberry Quilters Gaile Colby, Beverly Sanborn, and Ruth Westphal are featured | 
Description: Magazine "Maine Life" with article about the Ladies Aid and the Cranberry Quilters Gaile Colby, Beverly Sanborn, and Ruth Westphal are featured |
| 2013.251.1974 | Patchwork quilt - Sanford |
|
| Quilt. Patchwork wool and polyester squares of black, grey, blue, and green one single white corduroy square. Squares are 6" x5" slightly irregular. Solid black satin with floral pattern back folded over on the parallel long edges to make a border. Machine stitching. | 
Description: Quilt. Patchwork wool and polyester squares of black, grey, blue, and green one single white corduroy square. Squares are 6" x5" slightly irregular. Solid black satin with floral pattern back folded over on the parallel long edges to make a border. Machine stitching. |
