1 - 25 of 40 results
You searched for: Subject: is exactly 'Other, Textiles'✖
Refine Your Search
Subject
- Organizations (2)
- Other
- People (8)
Type
- Document (4)
- Image (2)
- Object (27)
- Publication (7)
Place
- Cranberry Isles (1)
- Great Cranberry Island (1)
- none (38)
Date
Tags
- Box 14 (3)
- Box 20 (1)
- Box 23 (2)
- Box 27 (1)
- Box 39 (1)
- Box 41 (2)
- Box 42 (1)
- Box 44 (1)
- Ladies Aid (1)
- Louise Marr Collection (1)
| Catalogue # | Title | Type | Subject | Description | |
|---|---|---|---|---|---|
| 1000.27.795 | Cranberry Island Rugs |
|
| Letter (copy) sent by Hugh L. Dwelley to Mildred Cole Peledeau in 2004, about Cranberry Island Rugs. Hugh's letter includes several patterns for rugs: "Jefferson's Fancy", "Dimond Diaper", "Rose of Sharon", and some unlabeled. The patterns are also labeled "Mrs. Eliza Murray", "1840", and "1844". A photo of some samples made form the patterns in 1999. | 
Description: Letter (copy) sent by Hugh L. Dwelley to Mildred Cole Peledeau in 2004, about Cranberry Island Rugs. Hugh's letter includes several patterns for rugs: "Jefferson's Fancy", "Dimond Diaper", "Rose of Sharon", and some unlabeled. The patterns are also labeled "Mrs. Eliza Murray", "1840", and "1844". A photo of some samples made form the patterns in 1999. |
| 2000.233.72 | How to make a quilt |
|
| Directions, how to make a quilt | |
| 2005.138.1078 | Rug making and Maine Seacoast Mission |
|
| Documents pertaining to rug making. (A) Report of the Maine Seacoast Missionary Society for the year ending 1927. (B): Nine items of correspondence pertaining to the Cranberry Island Hooked Rugs program started by the Seacoast Mission, letters date from 1901-1902. The hooked rug program was one of the first cottage industries, the Seacoast Mission took completed rugs to New York for sale | 
Description: Documents pertaining to rug making. (A) Report of the Maine Seacoast Missionary Society for the year ending 1927. (B): Nine items of correspondence pertaining to the Cranberry Island Hooked Rugs program started by the Seacoast Mission, letters date from 1901-1902. The hooked rug program was one of the first cottage industries, the Seacoast Mission took completed rugs to New York for sale |
| 2014.484.2971 | Great Cranberry Island Historical Society Women's Winter Work Project Quilts |
|
| Questionnaires to gather information about quilts made by GCI women including members of the Ladies Aid Society. The intent was to photograph the quilts to create a photographic record of Cranberry Island's women's winter work. Includes forms from 20 quilters. | 
Description: Questionnaires to gather information about quilts made by GCI women including members of the Ladies Aid Society. The intent was to photograph the quilts to create a photographic record of Cranberry Island's women's winter work. Includes forms from 20 quilters. |
| 2015.330.2092 | The Quiltmaker |
|
| Artwork. "The Quiltmaker" framed, oil on canvas by Wini Smart 2006. Islander Ruth Westphal sewing a colorful quilt in a windowed room with view of church suggested in one window. Painting donated by Friends of Cranberry House at the 2006 Exhibit and Benefit Auction held at the Neighborhood House in Northeast Harbor, ME. | 
Description: Artwork. "The Quiltmaker" framed, oil on canvas by Wini Smart 2006. Islander Ruth Westphal sewing a colorful quilt in a windowed room with view of church suggested in one window. Painting donated by Friends of Cranberry House at the 2006 Exhibit and Benefit Auction held at the Neighborhood House in Northeast Harbor, ME. |
| 2000.233.71 | Quilts and quilting photos |
|
| Photos of quilts, Gertrude "Trudy" Bancroft quilts, and women quilting | 
Description: Photos of quilts, Gertrude "Trudy" Bancroft quilts, and women quilting |
| 1000.140.1138 | Quilt from Preble house |
|
| Quilt. Known as a "crazy quilt", this quilt was recovered from the Preble house on GCI and is believed to be over 150 years old. Quilt is bordered in velvet with silk and other types of multi-colored, geometric and free-form fabric pieces and a wide variety of fancy stitching; reverse is green silk. The quilt has three sets of fancy-script initials in different areas interpreted as: "A" ; "J" or "T"; and "JSM". (See also quilt 2014.270.2007 from same location and donor.) (Note: Lynne Birlem (donor 343) has a very similar framed crazy quilt at her home that is from her great grandmother Hamor's house on GCI.) | 
Description: Quilt. Known as a "crazy quilt", this quilt was recovered from the Preble house on GCI and is believed to be over 150 years old. Quilt is bordered in velvet with silk and other types of multi-colored, geometric and free-form fabric pieces and a wide variety of fancy stitching; reverse is green silk. The quilt has three sets of fancy-script initials in different areas interpreted as: "A" ; "J" or "T"; and "JSM". (See also quilt 2014.270.2007 from same location and donor.) (Note: Lynne Birlem (donor 343) has a very similar framed crazy quilt at her home that is from her great grandmother Hamor's house on GCI.) [show more] |
| 2013.251.1974 | Patchwork quilt - Sanford |
|
| Quilt. Patchwork wool and polyester squares of black, grey, blue, and green one single white corduroy square. Squares are 6" x5" slightly irregular. Solid black satin with floral pattern back folded over on the parallel long edges to make a border. Machine stitching. | 
Description: Quilt. Patchwork wool and polyester squares of black, grey, blue, and green one single white corduroy square. Squares are 6" x5" slightly irregular. Solid black satin with floral pattern back folded over on the parallel long edges to make a border. Machine stitching. |
| 2014.270.2007 | Crazy Quilt Preble House |
|
| Quilt. Colorful wool, cotton, flannel, and jersey fabrics made of geometric and freeform shapes and patterns including plaids, tweeds, and solid colors. Reverse side is a solid rough beige cotton with pale blue stripes; there are decorative beige yarn ties along the blue stripes with a few pink yarn ties interspersed. Edges are folded in and machine (?) hemmed, there is no border. Possible ornate script initials - one of which is may be an "L". Some discoloration and stains. This quilt is one of two recovered from the Preble House. (See also quilt 1000.140.1138 from the same donor.) (Note: Lynne Birlem (donor 343) has a very similar framed crazy quilt at her home that is from her great grandmother Hamor's house on GCI.) | 
Description: Quilt. Colorful wool, cotton, flannel, and jersey fabrics made of geometric and freeform shapes and patterns including plaids, tweeds, and solid colors. Reverse side is a solid rough beige cotton with pale blue stripes; there are decorative beige yarn ties along the blue stripes with a few pink yarn ties interspersed. Edges are folded in and machine (?) hemmed, there is no border. Possible ornate script initials - one of which is may be an "L". Some discoloration and stains. This quilt is one of two recovered from the Preble House. (See also quilt 1000.140.1138 from the same donor.) (Note: Lynne Birlem (donor 343) has a very similar framed crazy quilt at her home that is from her great grandmother Hamor's house on GCI.) [show more] |
| 2004.94.743 | Postage-stamp quilt made for Cara (Carrie) Richardson |
|
| Quilt, postage stamp style of various colors including double pinks and brown madders with solid brown backing brought around to front with mitered corners creating a brown binding. Quilt is 97" x 75" with 1 3/8" squares. Handwritten note attached: "Quilt top pieced by Ladies from our 'Aid' in 1903 as a welcome home gift to Cara (Carrie) Richardson who had been her own captain and navigator on her second trip to the Orient in Peter's boat which she inherited on his death. Her house is near Carolyn Liebow's." [Note here that "Orient" may just mean away from Maine, per Ralph Stanley.] Mary Katherine "Carrie" Stanley Richardson (1848-1920) was the daughter of Enoch B. Sr. and Caroline H. (Guptill) Stanley. Capt. Lewis G. Stanley was her brother. She was the second wife of Capt. Meltiah Richardson (1828-1901) and mother of Emery Willard Richardson (1873-1883) and Charles Emery “Peter” Richardson (1885-1971). She attended higher education in Boston. She traveled with her husband on his vessel the Carrie M. Richardson and was an expert celestial navigator. Carrie is buried in the Stanley Cemetery. In 2001, the Great Cranberry Island Historical Society wrote and produced the original play, Carrie Richardson of Big Cranberry. | 
Description: Quilt, postage stamp style of various colors including double pinks and brown madders with solid brown backing brought around to front with mitered corners creating a brown binding. Quilt is 97" x 75" with 1 3/8" squares. Handwritten note attached: "Quilt top pieced by Ladies from our 'Aid' in 1903 as a welcome home gift to Cara (Carrie) Richardson who had been her own captain and navigator on her second trip to the Orient in Peter's boat which she inherited on his death. Her house is near Carolyn Liebow's." [Note here that "Orient" may just mean away from Maine, per Ralph Stanley.] Mary Katherine "Carrie" Stanley Richardson (1848-1920) was the daughter of Enoch B. Sr. and Caroline H. (Guptill) Stanley. Capt. Lewis G. Stanley was her brother. She was the second wife of Capt. Meltiah Richardson (1828-1901) and mother of Emery Willard Richardson (1873-1883) and Charles Emery “Peter” Richardson (1885-1971). She attended higher education in Boston. She traveled with her husband on his vessel the Carrie M. Richardson and was an expert celestial navigator. Carrie is buried in the Stanley Cemetery. In 2001, the Great Cranberry Island Historical Society wrote and produced the original play, Carrie Richardson of Big Cranberry. [show more] |
| 2008.266.1999 | Quilt. Cotton, white with pink basket motif |
|
| Quilt. Cotton, white with pink basket motif on front, all white reverse. Pink border around three sides, one end with folded inward seem, no pink border. Sculpted in broad T shape on one end. Note from donor, Susan Bunker, reads: "This quilt was made by my father's, Raymond Bunker who was born in 1906, grandmother. She could have been a Bunker or a Spurling." | 
Description: Quilt. Cotton, white with pink basket motif on front, all white reverse. Pink border around three sides, one end with folded inward seem, no pink border. Sculpted in broad T shape on one end. Note from donor, Susan Bunker, reads: "This quilt was made by my father's, Raymond Bunker who was born in 1906, grandmother. She could have been a Bunker or a Spurling." |
| 2013.258.1989 | Silver rug needle or sewing punch tool |
|
| Sewing tool. Antique rug needle or sewing punch tool, a.k.a stiletto sewing awl. Silver handle, steel shank with removable, sliding mechanism bearing patent info: PAT. 0 APR-6-09. Would have been used for a variety of endeavors like ripping seams, as a punch tool in rug making, creating eyelet holes in embroidery, and pricking patterns. Implement was recovered from Ruth "Robin" Freeman's barn across from the Preble House. Freeman is the donor's niece. | 
Description: Sewing tool. Antique rug needle or sewing punch tool, a.k.a stiletto sewing awl. Silver handle, steel shank with removable, sliding mechanism bearing patent info: PAT. 0 APR-6-09. Would have been used for a variety of endeavors like ripping seams, as a punch tool in rug making, creating eyelet holes in embroidery, and pricking patterns. Implement was recovered from Ruth "Robin" Freeman's barn across from the Preble House. Freeman is the donor's niece. [show more] |
| 1998.72.538 | U.S. flag - 48 states from Stanley home |
|
| Flag, 48-Star U.S. flag. Ruth Westphal says, "Found in the home of Alice & Richard Stanley when we purchased it in July 1970. Home was built in 1910 by the Stanleys." | 
Description: Flag, 48-Star U.S. flag. Ruth Westphal says, "Found in the home of Alice & Richard Stanley when we purchased it in July 1970. Home was built in 1910 by the Stanleys." |
| 1000.0.1274 | Rope floor mat |
|
| Artifact, rope mat (perhaps made by Eva Bracy) | |
| 2016.373.1929 | Rug made by Cora Spurling Richardson Chapman |
|
| Rug, braided with hooked center. Concentric circles of brown, black, blue, tan, red, green, orange, and rose; the center is a hooked oblong, bordered in blue, with a depiction of a full basket of red, yellow, white, and tan flowers; on the reverse side, the central hooked area is covered with a green fabric protective patch. Donor Charlotte Harlan wrote 9/21/2016 and 10/8/16: "That rug belonged to my Aunt Virginia. She was my mother's youngest sister, my grandfather Charles Henry Bulger's daughter. We believe that the rug was made by Aunt Cora [Cora Spurling Richardson Chapman b. July 3, 1863], who lived in the house where the Dowlings live now. My mother spoke of her Aunt Cora quite often. She made a lot of braided rugs. | 
Description: Rug, braided with hooked center. Concentric circles of brown, black, blue, tan, red, green, orange, and rose; the center is a hooked oblong, bordered in blue, with a depiction of a full basket of red, yellow, white, and tan flowers; on the reverse side, the central hooked area is covered with a green fabric protective patch. Donor Charlotte Harlan wrote 9/21/2016 and 10/8/16: "That rug belonged to my Aunt Virginia. She was my mother's youngest sister, my grandfather Charles Henry Bulger's daughter. We believe that the rug was made by Aunt Cora [Cora Spurling Richardson Chapman b. July 3, 1863], who lived in the house where the Dowlings live now. My mother spoke of her Aunt Cora quite often. She made a lot of braided rugs. [show more] |
| 2013.214.1930 | Braided, oval rug |
|
| Rug, braided, oval; starting in the center, predominantly various red patterns; black, brown, gray, tan, and blue as the loops grow larger, culminating in a black border | 
Description: Rug, braided, oval; starting in the center, predominantly various red patterns; black, brown, gray, tan, and blue as the loops grow larger, culminating in a black border |
| 2013.214.1931 | Braided rug |
|
| Rug, braided, oval; starting in the center, predominantly black/white loops grow larger, then the colors change to gray/black, green/gray, and red/tan, culminating in a gray/black border; dirty and worn | 
Description: Rug, braided, oval; starting in the center, predominantly black/white loops grow larger, then the colors change to gray/black, green/gray, and red/tan, culminating in a gray/black border; dirty and worn |
| 2013.214.1932 | Braided, oval, rug |
|
| Rug, braided, oval; starting in the center, predominantly green, brown, and orange patterned loops grow larger, then the colors change to blue, pink, brown, and red, culminating in a black border; colors in each loop change even within the loop; the fourth and fifth loops from the outside have become disconnected, and several other loops are loose. | 
Description: Rug, braided, oval; starting in the center, predominantly green, brown, and orange patterned loops grow larger, then the colors change to blue, pink, brown, and red, culminating in a black border; colors in each loop change even within the loop; the fourth and fifth loops from the outside have become disconnected, and several other loops are loose. |
| 1000.18.1934 | Rug, hooked, depicting schooner |
|
| Rug, hooked, rectangular; brown border with schooner, lighthouse and rocks against partly cloudy sky and green sea. From the home of Hilda Adel Bulger Spurling (1902-1987) (the Keegan's house on Harding Pt. Road in modern times). Hilda served as Postmistress on weekends for her sister Marjorie Phippen. | 
Description: Rug, hooked, rectangular; brown border with schooner, lighthouse and rocks against partly cloudy sky and green sea. From the home of Hilda Adel Bulger Spurling (1902-1987) (the Keegan's house on Harding Pt. Road in modern times). Hilda served as Postmistress on weekends for her sister Marjorie Phippen. |
| 2013.241.1976 | Braided rug |
|
| Rug. Braided with hooked center element. Concentric rings of browns, blacks, and greens with pale blue, red, and maroon flowers in hooked center square. Reverse side of rug has patch of brown cotton fabric with coral and beige flower decoration 16.5 x 17" serving as backing for the hooked flowers. Edges badly worn. Hole by the maroon flower. Some separation between the concentric braided rings. | 
Description: Rug. Braided with hooked center element. Concentric rings of browns, blacks, and greens with pale blue, red, and maroon flowers in hooked center square. Reverse side of rug has patch of brown cotton fabric with coral and beige flower decoration 16.5 x 17" serving as backing for the hooked flowers. Edges badly worn. Hole by the maroon flower. Some separation between the concentric braided rings. |
| 2005.138.2025 | Hooked rug with crab motif |
|
| Rug. Green and beige crab motif. Hooked, wool, sheared on burlap, 29.5" x 64.5". Made on Cranberry Isles 1902-1905. One of two similar rugs from same donor. (See 2005.138.2026 dog-motif rug.) Donor states her sister recovered this rug from the storage shed at their parents' house in New Hampshire after reading the Bangor Daily News article about her earlier donation of the dog-motif rug; and that this rug was repaired in the same manner as that rug, but is in much better condition. This rug lacks the CR monogram that was usually worked into one corner or on the selvage at the back of rugs that were made specifically by the Cranberry Island Club rug makers at the turn of the century. But it likely shares the provenance of the dog-motif rug described by its donor and its connection to Miriam P. Reynolds of Northeast Harbor and her family's New Hampshire connection. From "Bulletin of the Bureau of Labor", #55 (Nov. 1904), pp 1573-1622, the article "The Revival of Handicrafts in America." by Max West, Ph. D. states: Cranberry Islanders ".... were already familiar with the process of hooking rugs; and they were fortunate in having the benefit of the initiative, moral support, and financial backing of Mrs. Seth Low, Miss Miriam P. Reynolds, and one or two other New York women whose summer homes are at Northeast Harbor, as well as in obtaining the aid of capable designers. The industry was started on a small scale in the autumn of 1901, under the supervision of Miss Amy Mali Hicks, a designer identified with the arts and crafts movement in New York City, who designed the patterns and gave instruction in dyeing, etc. ..." (See also "Three Centuries of Hooking, Mount Desert Island Historical Society, 2009, p. 20-21.) | 
Description: Rug. Green and beige crab motif. Hooked, wool, sheared on burlap, 29.5" x 64.5". Made on Cranberry Isles 1902-1905. One of two similar rugs from same donor. (See 2005.138.2026 dog-motif rug.) Donor states her sister recovered this rug from the storage shed at their parents' house in New Hampshire after reading the Bangor Daily News article about her earlier donation of the dog-motif rug; and that this rug was repaired in the same manner as that rug, but is in much better condition. This rug lacks the CR monogram that was usually worked into one corner or on the selvage at the back of rugs that were made specifically by the Cranberry Island Club rug makers at the turn of the century. But it likely shares the provenance of the dog-motif rug described by its donor and its connection to Miriam P. Reynolds of Northeast Harbor and her family's New Hampshire connection. From "Bulletin of the Bureau of Labor", #55 (Nov. 1904), pp 1573-1622, the article "The Revival of Handicrafts in America." by Max West, Ph. D. states: Cranberry Islanders ".... were already familiar with the process of hooking rugs; and they were fortunate in having the benefit of the initiative, moral support, and financial backing of Mrs. Seth Low, Miss Miriam P. Reynolds, and one or two other New York women whose summer homes are at Northeast Harbor, as well as in obtaining the aid of capable designers. The industry was started on a small scale in the autumn of 1901, under the supervision of Miss Amy Mali Hicks, a designer identified with the arts and crafts movement in New York City, who designed the patterns and gave instruction in dyeing, etc. ..." (See also "Three Centuries of Hooking, Mount Desert Island Historical Society, 2009, p. 20-21.) [show more] |
| 2015.331.2093 | Hooked rug with clamshell design |
|
| Rug. Hooked rug, with clamshell design. Description for clamshell from donor's 1987 appraisal at Thomaston Galleries: HOOKED RUG: woolens on burlap with 1/2”-wide braided border. Dark band enclosing tight rows of dark polychrome “Clam Shells”. Good overall condition. 20th c. American Dim: 28” x 47”. Donor doesn't know if it was made on GCI, but recalls it being in her mother's GCI home when she was a child. | 
Description: Rug. Hooked rug, with clamshell design. Description for clamshell from donor's 1987 appraisal at Thomaston Galleries: HOOKED RUG: woolens on burlap with 1/2”-wide braided border. Dark band enclosing tight rows of dark polychrome “Clam Shells”. Good overall condition. 20th c. American Dim: 28” x 47”. Donor doesn't know if it was made on GCI, but recalls it being in her mother's GCI home when she was a child. |
| 2015.331.2094 | Hooked rug with floral design |
|
| Rug. Hooked rug, with floral design. Donor doesn't know if it was made on GCI, but recalls it being in her mother's GCI home when she was a child. Rug is hooked with stockings and fabric on burlap. | 
Description: Rug. Hooked rug, with floral design. Donor doesn't know if it was made on GCI, but recalls it being in her mother's GCI home when she was a child. Rug is hooked with stockings and fabric on burlap. |
| 2016.335.2101 | Braided rugs and pot holder by Addie Duren |
|
| Rugs: two braided multi-colored rugs; and one cloth pot holder. These three items were all made by GCI resident Addie Duren. Rug (A) is oval shaped, brightly colored reds, blues, purples, greys 46" long by 32.5" wide. Rug (B) is oval shaped, black and tan overall 56" long x 39" wide. There is a story that when the Duren house caught fire (19xx?), it was Addie's rags and rug-making materials stored in the attic that kept the fire from spreading rapidly through whole house. Pot holder (C) has crocheted edges with dancing girl and pink backing. | 
Description: Rugs: two braided multi-colored rugs; and one cloth pot holder. These three items were all made by GCI resident Addie Duren. Rug (A) is oval shaped, brightly colored reds, blues, purples, greys 46" long by 32.5" wide. Rug (B) is oval shaped, black and tan overall 56" long x 39" wide. There is a story that when the Duren house caught fire (19xx?), it was Addie's rags and rug-making materials stored in the attic that kept the fire from spreading rapidly through whole house. Pot holder (C) has crocheted edges with dancing girl and pink backing. [show more] |
| 2016.359.2124 | Six small hooked rugs |
|
| Rugs. A collection of six small hooked rugs of various shapes, fabrics, sizes, and patterns - likely early 20th century and made locally. Donor's sister-in-law, Holly Hartley, a summer resident in the house on Preble Cove, GCI, that donor now owns and where the rugs were used recalls: "The two worn, rectangular rugs are very familiar to me. I'm certain that my grandmother collected them, as I am sure they were in the house from the time I first came to Cranberry in 1946 at 2-years-old. The other two are not familiar to me. They seem a different aesthetic entirely - multiple types of flowers, lots of different colors, the use of shading. I wonder whether or not my Mother or my sister Vicky collected them. I know my grandmother had braided rugs that were made by Margie Phippen and her sister Hilde Spurling and their mother, Pink Bulger. No 6 is very familiar to me and I also think no 5 was in the house for a long time. I am now asking myself their locations in the house. I know we walked on them and I think they were in hallways and bedrooms. I still don't know the artist but I think these two are among the older ones." See photographs of backs and fronts of each rug. | 
Description: Rugs. A collection of six small hooked rugs of various shapes, fabrics, sizes, and patterns - likely early 20th century and made locally. Donor's sister-in-law, Holly Hartley, a summer resident in the house on Preble Cove, GCI, that donor now owns and where the rugs were used recalls: "The two worn, rectangular rugs are very familiar to me. I'm certain that my grandmother collected them, as I am sure they were in the house from the time I first came to Cranberry in 1946 at 2-years-old. The other two are not familiar to me. They seem a different aesthetic entirely - multiple types of flowers, lots of different colors, the use of shading. I wonder whether or not my Mother or my sister Vicky collected them. I know my grandmother had braided rugs that were made by Margie Phippen and her sister Hilde Spurling and their mother, Pink Bulger. No 6 is very familiar to me and I also think no 5 was in the house for a long time. I am now asking myself their locations in the house. I know we walked on them and I think they were in hallways and bedrooms. I still don't know the artist but I think these two are among the older ones." See photographs of backs and fronts of each rug. [show more] |
