Box, large wooden packing box with rope handles on the ends, one long side has a broken off piece; box is nailed together with no lid; marked "GLOVE" BRAND RUBBERS (picture of a left hand)
Description: Box, large wooden packing box with rope handles on the ends, one long side has a broken off piece; box is nailed together with no lid; marked "GLOVE" BRAND RUBBERS (picture of a left hand)
Rug, braided, oval; starting in the center, predominantly various red patterns; black, brown, gray, tan, and blue as the loops grow larger, culminating in a black border
Description: Rug, braided, oval; starting in the center, predominantly various red patterns; black, brown, gray, tan, and blue as the loops grow larger, culminating in a black border
Rug, braided, oval; starting in the center, predominantly green, brown, and orange patterned loops grow larger, then the colors change to blue, pink, brown, and red, culminating in a black border; colors in each loop change even within the loop; the fourth and fifth loops from the outside have become disconnected, and several other loops are loose.
Description: Rug, braided, oval; starting in the center, predominantly green, brown, and orange patterned loops grow larger, then the colors change to blue, pink, brown, and red, culminating in a black border; colors in each loop change even within the loop; the fourth and fifth loops from the outside have become disconnected, and several other loops are loose.
Rug, braided, oval; starting in the center, predominantly black/white loops grow larger, then the colors change to gray/black, green/gray, and red/tan, culminating in a gray/black border; dirty and worn
Description: Rug, braided, oval; starting in the center, predominantly black/white loops grow larger, then the colors change to gray/black, green/gray, and red/tan, culminating in a gray/black border; dirty and worn
Rug. Braided with hooked center element. Concentric rings of browns, blacks, and greens with pale blue, red, and maroon flowers in hooked center square. Reverse side of rug has patch of brown cotton fabric with coral and beige flower decoration 16.5 x 17" serving as backing for the hooked flowers. Edges badly worn. Hole by the maroon flower. Some separation between the concentric braided rings.
Description: Rug. Braided with hooked center element. Concentric rings of browns, blacks, and greens with pale blue, red, and maroon flowers in hooked center square. Reverse side of rug has patch of brown cotton fabric with coral and beige flower decoration 16.5 x 17" serving as backing for the hooked flowers. Edges badly worn. Hole by the maroon flower. Some separation between the concentric braided rings.
Rugs: two braided multi-colored rugs; and one cloth pot holder. These three items were all made by GCI resident Addie Duren. Rug (A) is oval shaped, brightly colored reds, blues, purples, greys 46" long by 32.5" wide. Rug (B) is oval shaped, black and tan overall 56" long x 39" wide. There is a story that when the Duren house caught fire (19xx?), it was Addie's rags and rug-making materials stored in the attic that kept the fire from spreading rapidly through whole house. Pot holder (C) has crocheted edges with dancing girl and pink backing.
Description: Rugs: two braided multi-colored rugs; and one cloth pot holder. These three items were all made by GCI resident Addie Duren. Rug (A) is oval shaped, brightly colored reds, blues, purples, greys 46" long by 32.5" wide. Rug (B) is oval shaped, black and tan overall 56" long x 39" wide. There is a story that when the Duren house caught fire (19xx?), it was Addie's rags and rug-making materials stored in the attic that kept the fire from spreading rapidly through whole house. Pot holder (C) has crocheted edges with dancing girl and pink backing. [show more]
Tool, lobster gauge, brass, used to determine whether a lobster is of legal size to be kept. From the lobster's eye socket notch to the end of its carapace, it must be no larger than 5" and no smaller than 3-3/16". This guage has those two dimensions built in
Description: Tool, lobster gauge, brass, used to determine whether a lobster is of legal size to be kept. From the lobster's eye socket notch to the end of its carapace, it must be no larger than 5" and no smaller than 3-3/16". This guage has those two dimensions built in
Description: Fishing gear, empty wooden frame for fishing handline, broken into two halves and just pushed together; branded "J. C. PIKE." on both halves
Dress. Brown silk "going away" outfit of Hannah Corson (nee Dick) Macfarlan (Robin Freeman's great grandmother & Mickey Macfarlan's grandmother) for her honeymoon trip. Married 21 Apr 1869 in Philadelphia. Fitted bodice/jacket and long skirt with slightly bustled overskirt. Lighter brocaded underskirt. Darker velvet trim at neck, cuffs and along skirt panel. See also 2009.11.1942 accessories said to have been worn with this outfit: two pairs of kid gloves, parasol, white shoes, and hat. (See also photo 2009.11.1180B from "2009 photos>Robin Swain", for a picture of Hannah Corson Dick Macfarlan: b. 1850-d.1913 in Philadelphia. Note from donor: "15 oct 2009 I am attaching a photo to this email of my great-grandmother, Hannah Corson Dick Macfarlan, who wore the brown dress I gave to the GCIHS. She lived from 1850 to 1913 in Philadelphia. She married Dr. Malcolm Macfarlan on April 21, 1869, when she wore the dress. She had nine children, seven of whom lived to adulthood. Of the seven children, one was a girl and six were boys! One of the boys was Douglas Macfarlan, Mickey's father."
Description: Dress. Brown silk "going away" outfit of Hannah Corson (nee Dick) Macfarlan (Robin Freeman's great grandmother & Mickey Macfarlan's grandmother) for her honeymoon trip. Married 21 Apr 1869 in Philadelphia. Fitted bodice/jacket and long skirt with slightly bustled overskirt. Lighter brocaded underskirt. Darker velvet trim at neck, cuffs and along skirt panel. See also 2009.11.1942 accessories said to have been worn with this outfit: two pairs of kid gloves, parasol, white shoes, and hat. (See also photo 2009.11.1180B from "2009 photos>Robin Swain", for a picture of Hannah Corson Dick Macfarlan: b. 1850-d.1913 in Philadelphia. Note from donor: "15 oct 2009 I am attaching a photo to this email of my great-grandmother, Hannah Corson Dick Macfarlan, who wore the brown dress I gave to the GCIHS. She lived from 1850 to 1913 in Philadelphia. She married Dr. Malcolm Macfarlan on April 21, 1869, when she wore the dress. She had nine children, seven of whom lived to adulthood. Of the seven children, one was a girl and six were boys! One of the boys was Douglas Macfarlan, Mickey's father." [show more]
Carriage. Buckboard, two beige upholstered bench seats with upholstered backs, and matching beige carpet floor mats, wooden whip holder, thin red lines painted as decoration on seat sides and other areas, brass tag reads: "Davis B.H. B.C. Bar Harbor, Me". Wooden wheels with iron cladding. From the old barn at the Red House - the Towns/Lim house.Willie Granston December 2016: "…. The buckboard is in really good condition…. I know of only two Davis Buckboards on MDI, and neither is this model. One is privately owned by Martha Stewart, and one is a really sweet little 2 seater with a rear groomsman's seat owned by Bar Harbor Historical Society and kept at Seal Cove Auto Museum. The buckboard at Seal Cove is missing its bottom cushion, and Martha's has been reupholstered, so those cushions, with the flaps, are super important. ...This is really important object."The Living Past,Virginia Somes-Sanderson p. 229: "People came in droves from Bar Harbor, some in their private carriages, often with coachmen and footmen, others in hired vehicles, but the majority in buckboards. These riding conveyances had rows of seats, all facing front; the largest carried fifteen persons, but theer were others built for ten, seven, five, four and two passengers ... Unfortunately, the tax on them became so high that the owners could not make them pay, so they disappeared from the scene."The donor recalls: "The buckboard has been there all my life. I'm quite sure it came with the property. I would imagine it's been there since the Crosbys owned the barn-- if not before. I believe that they owned it around 1915 because there was a drawing of a heart on a barn stall shutter with one of the Crosby boys' names and some girl's name and the date, I think it was 1915. As children, my friends and I used to play "Wagon Train" (an old, old TV show) on it. I was always Flint McCullough. He was my favorite, played by the actor, Robert Horton. Ward Bond played the Wagonmaster on TV. Whoever played his part on the buckboard would wave their arm forward and yell. "Wagons---ho !" We were all girls, as I recall, (I do remember pitching apples at and withClayton Savage and Dickie Haydock but I don't think we let them play Wagon Train.)"See also http://www.skylinefarm.org/carriage-museum, Slide 9.
Description: Carriage. Buckboard, two beige upholstered bench seats with upholstered backs, and matching beige carpet floor mats, wooden whip holder, thin red lines painted as decoration on seat sides and other areas, brass tag reads: "Davis B.H. B.C. Bar Harbor, Me". Wooden wheels with iron cladding. From the old barn at the Red House - the Towns/Lim house.Willie Granston December 2016: "…. The buckboard is in really good condition…. I know of only two Davis Buckboards on MDI, and neither is this model. One is privately owned by Martha Stewart, and one is a really sweet little 2 seater with a rear groomsman's seat owned by Bar Harbor Historical Society and kept at Seal Cove Auto Museum. The buckboard at Seal Cove is missing its bottom cushion, and Martha's has been reupholstered, so those cushions, with the flaps, are super important. ...This is really important object."The Living Past,Virginia Somes-Sanderson p. 229: "People came in droves from Bar Harbor, some in their private carriages, often with coachmen and footmen, others in hired vehicles, but the majority in buckboards. These riding conveyances had rows of seats, all facing front; the largest carried fifteen persons, but theer were others built for ten, seven, five, four and two passengers ... Unfortunately, the tax on them became so high that the owners could not make them pay, so they disappeared from the scene."The donor recalls: "The buckboard has been there all my life. I'm quite sure it came with the property. I would imagine it's been there since the Crosbys owned the barn-- if not before. I believe that they owned it around 1915 because there was a drawing of a heart on a barn stall shutter with one of the Crosby boys' names and some girl's name and the date, I think it was 1915. As children, my friends and I used to play "Wagon Train" (an old, old TV show) on it. I was always Flint McCullough. He was my favorite, played by the actor, Robert Horton. Ward Bond played the Wagonmaster on TV. Whoever played his part on the buckboard would wave their arm forward and yell. "Wagons---ho !" We were all girls, as I recall, (I do remember pitching apples at and withClayton Savage and Dickie Haydock but I don't think we let them play Wagon Train.)"See also http://www.skylinefarm.org/carriage-museum, Slide 9. [show more]
Fishing gear, buoy (lobster float), double plastic buoys on one plastic shaft, yellow with three vertical red stripes, branded with "7491" and also "8676"; the plastic shaft has been heated and bent to form a loop to which a swivel fitting is attached, which is then tied to a rope
Description: Fishing gear, buoy (lobster float), double plastic buoys on one plastic shaft, yellow with three vertical red stripes, branded with "7491" and also "8676"; the plastic shaft has been heated and bent to form a loop to which a swivel fitting is attached, which is then tied to a rope
Fishing gear. Buoys,wood, painted orange and white - Victor White's colors. (A) Long bullet shaped, and (B) rounded with wooden handle inserted on one end.
Description: Fishing gear. Buoys,wood, painted orange and white - Victor White's colors. (A) Long bullet shaped, and (B) rounded with wooden handle inserted on one end.
Butter churn (a.k.a. box or barrel churn), wooden with red stenciled lettering "No. 3 Improved" and faded red stenciled cow on one side of barrel. Red stenciled lettering "Boston, Amesplu_ _ _, New York" on the other side. Wood and steel handle on one side turns the slatted wooden paddle wheel inside. (B) Wooden spatula. Wooden top. Probably late 19th century. "It was small enough to stand on a table; used for small-scale production of butter in a farmhouse dairy. It would about 70 pints of mile to produce enough cream to make just 18 oz (500gms) of butter. Complete with interior paddle wheel to agitate cream, lid, peg for the drain hole, and handle to rotate paddle wheel. The cream was poured into the opening at the top of the barrel and the handle turned. This would rotate the slatted wooden panels and agitate the cream. There was a small inspection hole in the top of the lid to allow the operator to check the progress of the butter without opening the churn. It would take about an hour and a half to turn the cream to butter. The whey was poured off and either drunk or used as pig food. The butter was then removed from the churn and was washed repeatedly in cold water. It was then beaten with wooden butter beaters or kneaded by hand to remove the excess moisture." http://www.objectlessons.org/work-and-innovation-victorians/barrel-butter-churn-victorian-original/s64/a930/
Description: Butter churn (a.k.a. box or barrel churn), wooden with red stenciled lettering "No. 3 Improved" and faded red stenciled cow on one side of barrel. Red stenciled lettering "Boston, Amesplu_ _ _, New York" on the other side. Wood and steel handle on one side turns the slatted wooden paddle wheel inside. (B) Wooden spatula. Wooden top. Probably late 19th century. "It was small enough to stand on a table; used for small-scale production of butter in a farmhouse dairy. It would about 70 pints of mile to produce enough cream to make just 18 oz (500gms) of butter. Complete with interior paddle wheel to agitate cream, lid, peg for the drain hole, and handle to rotate paddle wheel. The cream was poured into the opening at the top of the barrel and the handle turned. This would rotate the slatted wooden panels and agitate the cream. There was a small inspection hole in the top of the lid to allow the operator to check the progress of the butter without opening the churn. It would take about an hour and a half to turn the cream to butter. The whey was poured off and either drunk or used as pig food. The butter was then removed from the churn and was washed repeatedly in cold water. It was then beaten with wooden butter beaters or kneaded by hand to remove the excess moisture." http://www.objectlessons.org/work-and-innovation-victorians/barrel-butter-churn-victorian-original/s64/a930/ [show more]
Clothing. Blue and gold Rooster Club ball cap and green Rooster Club tee shirt. The Rooster Club was the men's answer to the elite women's Cranberry Club. Members included Arvard Savage, Doc Haydock, Charlie Rice, and Victor [White]?. Club house was behind Haydock's house.
Description: Clothing. Blue and gold Rooster Club ball cap and green Rooster Club tee shirt. The Rooster Club was the men's answer to the elite women's Cranberry Club. Members included Arvard Savage, Doc Haydock, Charlie Rice, and Victor [White]?. Club house was behind Haydock's house.