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| Catalogue # | Title | Type | Subject | Description | |
|---|---|---|---|---|---|
| 1000.0.1190 | Lampshade with roses |
|
| Lampshade, 8 oval panels of taut waxy paper with lace applique roses on each, all fringed. From a GCI home. | 
Description: Lampshade, 8 oval panels of taut waxy paper with lace applique roses on each, all fringed. From a GCI home. |
| 1000.0.1223 | Lantern |
|
| Lantern | |
| 1000.0.1249 | Small metal kerosene heater |
|
| Tool, small metal kerosene heater for warming or melting something | 
Description: Tool, small metal kerosene heater for warming or melting something |
| 1000.0.1274 | Rope floor mat |
|
| Artifact, rope mat (perhaps made by Eva Bracy) | |
| 1000.0.1302 | Wooden laundry stirrer |
|
| Art, carved wooden laundry stirrer, made by Sam Chapman |
Description: Art, carved wooden laundry stirrer, made by Sam Chapman |
| 1000.0.1309 | Taxidermist made Stuffed Pheasant |
|
| Taxidermy, bird, stuffed pheasant, maker unknown | 
Description: Taxidermy, bird, stuffed pheasant, maker unknown |
| 1000.0.1323 | Small cast iron clothes iron |
| Tool, clothes iron, small cast iron, with "6" molded into the handle. Wire mesh holder below. | 
Description: Tool, clothes iron, small cast iron, with "6" molded into the handle. Wire mesh holder below. | |
| 1000.0.1341 | Hearth broom |
|
| Household hearth Broom | |
| 1000.0.1361 | Ornate metal picture frame |
|
| Frame. Ornate Metal Picture Frame for 4" to 6" pictures | 
Description: Frame. Ornate Metal Picture Frame for 4" to 6" pictures |
| 1000.0.1366 | Kerosene lamp |
|
| Metal kerosene lamp: silver color with pillowy milk glass shade |
Description: Metal kerosene lamp: silver color with pillowy milk glass shade |
| 1000.116.1130 | Tommy Sticker: brass candle holder with metal spikes |
|
| Tool, "Tommy Sticker", a brass candle holder with metal spikes on the bottom and side, to be forced into a wooden wall, beam, etc. to provide light while leaving hands free | 
Description: Tool, "Tommy Sticker", a brass candle holder with metal spikes on the bottom and side, to be forced into a wooden wall, beam, etc. to provide light while leaving hands free |
| 1000.18.1934 | Rug, hooked, depicting schooner |
|
| Rug, hooked, rectangular; brown border with schooner, lighthouse and rocks against partly cloudy sky and green sea. From the home of Hilda Adel Bulger Spurling (1902-1987) (the Keegan's house on Harding Pt. Road in modern times). Hilda served as Postmistress on weekends for her sister Marjorie Phippen. |
Description: Rug, hooked, rectangular; brown border with schooner, lighthouse and rocks against partly cloudy sky and green sea. From the home of Hilda Adel Bulger Spurling (1902-1987) (the Keegan's house on Harding Pt. Road in modern times). Hilda served as Postmistress on weekends for her sister Marjorie Phippen. |
| 2000.6.1935 | Modified rocking chair with swivel tray |
|
| Furniture. Rocking chair with swivel tray. Wood. Original black rocker with gold scroll work on seat and back has been modified with addition of a swiveling, wooden tray affixed to the chair arms. Rocker blades may have been shortened. Rocker may have had a signature, Stanley, visible on it at one time. Phil Whitney recollects in 2015 that this rocker was rescued from his family's house (across the street from his present home) during their house fire. It may have been his mother's rocker (d.o.b. 1911), or perhaps his great great grandmother Sidney Hamor Bunker who died in 1918, or his great grandmother, Julia Bunker Spurling. (From Ladies Aid 2000) | 
Description: Furniture. Rocking chair with swivel tray. Wood. Original black rocker with gold scroll work on seat and back has been modified with addition of a swiveling, wooden tray affixed to the chair arms. Rocker blades may have been shortened. Rocker may have had a signature, Stanley, visible on it at one time. Phil Whitney recollects in 2015 that this rocker was rescued from his family's house (across the street from his present home) during their house fire. It may have been his mother's rocker (d.o.b. 1911), or perhaps his great great grandmother Sidney Hamor Bunker who died in 1918, or his great grandmother, Julia Bunker Spurling. (From Ladies Aid 2000) [show more] |
| 2002.78.1075 | Cherub Wall hanging |
|
| Wall Hanging gifted to Jan Moss from Gaile Colby in 1992 to celebrate Jan's first Grandchild. | 
Description: Wall Hanging gifted to Jan Moss from Gaile Colby in 1992 to celebrate Jan's first Grandchild. |
| 2003.165.1186 | Stool for organ with red brocade top |
|
| Artifact, organ stool red brocade top | |
| 2005.138.2025 | Hooked rug with crab motif |
|
| Rug. Green and beige crab motif. Hooked, wool, sheared on burlap, 29.5" x 64.5". Made on Cranberry Isles 1902-1905. One of two similar rugs from same donor. (See 2005.138.2026 dog-motif rug.) Donor states her sister recovered this rug from the storage shed at their parents' house in New Hampshire after reading the Bangor Daily News article about her earlier donation of the dog-motif rug; and that this rug was repaired in the same manner as that rug, but is in much better condition. This rug lacks the CR monogram that was usually worked into one corner or on the selvage at the back of rugs that were made specifically by the Cranberry Island Club rug makers at the turn of the century. But it likely shares the provenance of the dog-motif rug described by its donor and its connection to Miriam P. Reynolds of Northeast Harbor and her family's New Hampshire connection. From "Bulletin of the Bureau of Labor", #55 (Nov. 1904), pp 1573-1622, the article "The Revival of Handicrafts in America." by Max West, Ph. D. states: Cranberry Islanders ".... were already familiar with the process of hooking rugs; and they were fortunate in having the benefit of the initiative, moral support, and financial backing of Mrs. Seth Low, Miss Miriam P. Reynolds, and one or two other New York women whose summer homes are at Northeast Harbor, as well as in obtaining the aid of capable designers. The industry was started on a small scale in the autumn of 1901, under the supervision of Miss Amy Mali Hicks, a designer identified with the arts and crafts movement in New York City, who designed the patterns and gave instruction in dyeing, etc. ..." (See also "Three Centuries of Hooking, Mount Desert Island Historical Society, 2009, p. 20-21.) | 
Description: Rug. Green and beige crab motif. Hooked, wool, sheared on burlap, 29.5" x 64.5". Made on Cranberry Isles 1902-1905. One of two similar rugs from same donor. (See 2005.138.2026 dog-motif rug.) Donor states her sister recovered this rug from the storage shed at their parents' house in New Hampshire after reading the Bangor Daily News article about her earlier donation of the dog-motif rug; and that this rug was repaired in the same manner as that rug, but is in much better condition. This rug lacks the CR monogram that was usually worked into one corner or on the selvage at the back of rugs that were made specifically by the Cranberry Island Club rug makers at the turn of the century. But it likely shares the provenance of the dog-motif rug described by its donor and its connection to Miriam P. Reynolds of Northeast Harbor and her family's New Hampshire connection. From "Bulletin of the Bureau of Labor", #55 (Nov. 1904), pp 1573-1622, the article "The Revival of Handicrafts in America." by Max West, Ph. D. states: Cranberry Islanders ".... were already familiar with the process of hooking rugs; and they were fortunate in having the benefit of the initiative, moral support, and financial backing of Mrs. Seth Low, Miss Miriam P. Reynolds, and one or two other New York women whose summer homes are at Northeast Harbor, as well as in obtaining the aid of capable designers. The industry was started on a small scale in the autumn of 1901, under the supervision of Miss Amy Mali Hicks, a designer identified with the arts and crafts movement in New York City, who designed the patterns and gave instruction in dyeing, etc. ..." (See also "Three Centuries of Hooking, Mount Desert Island Historical Society, 2009, p. 20-21.) [show more] |
| 2005.138.2026 | Hooked rug with geometric dog motif |
| Rug. Hooked, wool, green and beige geometric dog motif. Made on Cranberry Isles 1902-1905. One of two similar rugs from same donor. Donor inherited this rug and believes it belonged to Miriam Reynolds, one of several Mount Desert summer residents who established a rug-making cottage industry on Cranberry Island. Donor explained: "Reynolds was part of the family of William Reed Huntington, who spent summers in Northeast Harbor starting around 1886. Mrs. Huntington died years before, leaving four small children, and her older sister, Miriam, moved in to take care of them. The youngest of the four was Mary, who later married William Thompson. They summered in Tamworth, New Hampshire, and this rug was in their house there. The house was inherited by their second son, Charles G. Thompson. When Charles's daughter Victoria married Dr. James S. Murphy, a Seal Harbor summer resident, she was given the Cranberry rug (by then quite worn) so that it might return to nearer its origin. For forty years it lived in Seal Harbor, but when Victoria's daughter Alice married Cranberry Island summer resident Bill Bancroft, the rug came home!" This rug was repaired in the same manner as the crab-motif rug, but is in much worse condition. It, too, lacks the CR monogram that was usually worked into one corner or on the selvage at the back of rugs that were made specifically by the Cranberry Island Club rug makers at the turn of the century. From "Bulletin of the Bureau of Labor", #55 (Nov. 1904), pp 1573-1622, the article "The Revival of Handicrafts in America." by Max West, Ph. D. states: Cranberry Islanders ".... were already familiar with the process of hooking rugs; and they were fortunate in having the benefit of the initiative, moral support, and financial backing of Mrs. Seth Low, Miss Miriam P. Reynolds, and one or two other New York women whose summer homes are at Northeast Harbor, as well as in obtaining the aid of capable designers. The industry was started on a small scale in the autumn of 1901, under the supervision of Miss Amy Mali Hicks, a designer identified with the arts and crafts movement in New York City, who designed the patterns and gave instruction in dyeing, etc. ..." | 
Description: Rug. Hooked, wool, green and beige geometric dog motif. Made on Cranberry Isles 1902-1905. One of two similar rugs from same donor. Donor inherited this rug and believes it belonged to Miriam Reynolds, one of several Mount Desert summer residents who established a rug-making cottage industry on Cranberry Island. Donor explained: "Reynolds was part of the family of William Reed Huntington, who spent summers in Northeast Harbor starting around 1886. Mrs. Huntington died years before, leaving four small children, and her older sister, Miriam, moved in to take care of them. The youngest of the four was Mary, who later married William Thompson. They summered in Tamworth, New Hampshire, and this rug was in their house there. The house was inherited by their second son, Charles G. Thompson. When Charles's daughter Victoria married Dr. James S. Murphy, a Seal Harbor summer resident, she was given the Cranberry rug (by then quite worn) so that it might return to nearer its origin. For forty years it lived in Seal Harbor, but when Victoria's daughter Alice married Cranberry Island summer resident Bill Bancroft, the rug came home!" This rug was repaired in the same manner as the crab-motif rug, but is in much worse condition. It, too, lacks the CR monogram that was usually worked into one corner or on the selvage at the back of rugs that were made specifically by the Cranberry Island Club rug makers at the turn of the century. From "Bulletin of the Bureau of Labor", #55 (Nov. 1904), pp 1573-1622, the article "The Revival of Handicrafts in America." by Max West, Ph. D. states: Cranberry Islanders ".... were already familiar with the process of hooking rugs; and they were fortunate in having the benefit of the initiative, moral support, and financial backing of Mrs. Seth Low, Miss Miriam P. Reynolds, and one or two other New York women whose summer homes are at Northeast Harbor, as well as in obtaining the aid of capable designers. The industry was started on a small scale in the autumn of 1901, under the supervision of Miss Amy Mali Hicks, a designer identified with the arts and crafts movement in New York City, who designed the patterns and gave instruction in dyeing, etc. ..." [show more] | |
| 2010.501.2992 | Toothbrush and Glass Holder |
|
| A metal toothbrush and glass holder. It is meant to be mounted into a wall and have the toothbrushes hang from the bottom and the glass holder on the top. There are no marking on the toothbrush holder that allows for an accurate date. | 
Description: A metal toothbrush and glass holder. It is meant to be mounted into a wall and have the toothbrushes hang from the bottom and the glass holder on the top. There are no marking on the toothbrush holder that allows for an accurate date. |
| 2011.189.1396 | Chandelier |
|
| Light fixture. hanging chandelier in good working condition circa 1928 (in association with item #1397 (estimated total value of items # 1396 & #1397 on 8/7/2011 is $100.00). First year of electricity on the island. |
Description: Light fixture. hanging chandelier in good working condition circa 1928 (in association with item #1397 (estimated total value of items # 1396 & #1397 on 8/7/2011 is $100.00). First year of electricity on the island. |
| 2012.13.1394 | Iron |
|
| Iron. Electric Clothes Iron Set consisting of electric iron and matching base stand. Iron is 400 Watt "UNIVERSAL" model made by Landers, Frary & Clark, New Britain, Conn., USA. There is no matching electric cord. Base stand is unmarked. |
Description: Iron. Electric Clothes Iron Set consisting of electric iron and matching base stand. Iron is 400 Watt "UNIVERSAL" model made by Landers, Frary & Clark, New Britain, Conn., USA. There is no matching electric cord. Base stand is unmarked. |
| 2012.13.1532 | Clothes iron set |
|
| Iron. Clothes iron set consisting of two flat irons, detachable wooden handle (one), and base stand. Irons are cast iron with writing "ENTERPRISE MFG CO, PHILA PA, NO 50", and are intended to be heated on a stove. Handle is interchangeable between both irons, so one iron can be used to press clothes while the other iron is being heated without a handle. Stand is cast iron with writing "ENTERPRISE MFG CO, PHILADELPHIA" |
Description: Iron. Clothes iron set consisting of two flat irons, detachable wooden handle (one), and base stand. Irons are cast iron with writing "ENTERPRISE MFG CO, PHILA PA, NO 50", and are intended to be heated on a stove. Handle is interchangeable between both irons, so one iron can be used to press clothes while the other iron is being heated without a handle. Stand is cast iron with writing "ENTERPRISE MFG CO, PHILADELPHIA" |
| 2013.214.1930 | Braided, oval rug |
|
| Rug, braided, oval; starting in the center, predominantly various red patterns; black, brown, gray, tan, and blue as the loops grow larger, culminating in a black border | 
Description: Rug, braided, oval; starting in the center, predominantly various red patterns; black, brown, gray, tan, and blue as the loops grow larger, culminating in a black border |
| 2013.214.1931 | Braided rug |
|
| Rug, braided, oval; starting in the center, predominantly black/white loops grow larger, then the colors change to gray/black, green/gray, and red/tan, culminating in a gray/black border; dirty and worn | 
Description: Rug, braided, oval; starting in the center, predominantly black/white loops grow larger, then the colors change to gray/black, green/gray, and red/tan, culminating in a gray/black border; dirty and worn |
| 2013.214.1932 | Braided, oval, rug |
|
| Rug, braided, oval; starting in the center, predominantly green, brown, and orange patterned loops grow larger, then the colors change to blue, pink, brown, and red, culminating in a black border; colors in each loop change even within the loop; the fourth and fifth loops from the outside have become disconnected, and several other loops are loose. | 
Description: Rug, braided, oval; starting in the center, predominantly green, brown, and orange patterned loops grow larger, then the colors change to blue, pink, brown, and red, culminating in a black border; colors in each loop change even within the loop; the fourth and fifth loops from the outside have become disconnected, and several other loops are loose. |
| 2013.227.1317 | School desk wood and cast iron |
|
| Desk, school, wood and cast iron, marked "SCHOOL FURNITURE CO" and "1, PAYNO, G35887, PAT. PDG" |
Description: Desk, school, wood and cast iron, marked "SCHOOL FURNITURE CO" and "1, PAYNO, G35887, PAT. PDG" |
