Model, model wooden lobster boat, white with black hull bottom, orange rudder, cloth sail and cabin hood, handcarved by George Savage, named GEO. SAVAGE, CRANBERRY ISLES; contains two tiny round top wooden lobster traps.
Description: Model, model wooden lobster boat, white with black hull bottom, orange rudder, cloth sail and cabin hood, handcarved by George Savage, named GEO. SAVAGE, CRANBERRY ISLES; contains two tiny round top wooden lobster traps.
Description: Tool kitchen, metal meat grinder, molded with "ENTERPRISE FOOD CHOPPER", "ENTRPRISE MF'G CO, PHIL, USA", AND "JCO 303", and on wooden handle "226"
Tool, wooden level, on brass plate "STANLEY / RULE & LEVEL CO / NEW BRITAIN CONN USA / PAT 6-2-91 6-2-96"; on the bubble level inserts "STANLEY ADJUSTABLE PATENTED MAR 25 90"
Description: Tool, wooden level, on brass plate "STANLEY / RULE & LEVEL CO / NEW BRITAIN CONN USA / PAT 6-2-91 6-2-96"; on the bubble level inserts "STANLEY ADJUSTABLE PATENTED MAR 25 90"
Tool, Shoemaker's Last, approx. 10". Found in the old Lewis Ladd barn, a.k.a. Spurling home, and Freeman home (across from donor's home). Lewis Ladd died in 1912 at 88 years old. (See also items 1240-1245.)
Description: Tool, Shoemaker's Last, approx. 10". Found in the old Lewis Ladd barn, a.k.a. Spurling home, and Freeman home (across from donor's home). Lewis Ladd died in 1912 at 88 years old. (See also items 1240-1245.)
Rug. Hooked, wool, green and beige geometric dog motif. Made on Cranberry Isles 1902-1905. One of two similar rugs from same donor. Donor inherited this rug and believes it belonged to Miriam Reynolds, one of several Mount Desert summer residents who established a rug-making cottage industry on Cranberry Island. Donor explained: "Reynolds was part of the family of William Reed Huntington, who spent summers in Northeast Harbor starting around 1886. Mrs. Huntington died years before, leaving four small children, and her older sister, Miriam, moved in to take care of them. The youngest of the four was Mary, who later married William Thompson. They summered in Tamworth, New Hampshire, and this rug was in their house there. The house was inherited by their second son, Charles G. Thompson. When Charles's daughter Victoria married Dr. James S. Murphy, a Seal Harbor summer resident, she was given the Cranberry rug (by then quite worn) so that it might return to nearer its origin. For forty years it lived in Seal Harbor, but when Victoria's daughter Alice married Cranberry Island summer resident Bill Bancroft, the rug came home!" This rug was repaired in the same manner as the crab-motif rug, but is in much worse condition. It, too, lacks the CR monogram that was usually worked into one corner or on the selvage at the back of rugs that were made specifically by the Cranberry Island Club rug makers at the turn of the century. From "Bulletin of the Bureau of Labor", #55 (Nov. 1904), pp 1573-1622, the article "The Revival of Handicrafts in America." by Max West, Ph. D. states: Cranberry Islanders ".... were already familiar with the process of hooking rugs; and they were fortunate in having the benefit of the initiative, moral support, and financial backing of Mrs. Seth Low, Miss Miriam P. Reynolds, and one or two other New York women whose summer homes are at Northeast Harbor, as well as in obtaining the aid of capable designers. The industry was started on a small scale in the autumn of 1901, under the supervision of Miss Amy Mali Hicks, a designer identified with the arts and crafts movement in New York City, who designed the patterns and gave instruction in dyeing, etc. ..."
Description: Rug. Hooked, wool, green and beige geometric dog motif. Made on Cranberry Isles 1902-1905. One of two similar rugs from same donor. Donor inherited this rug and believes it belonged to Miriam Reynolds, one of several Mount Desert summer residents who established a rug-making cottage industry on Cranberry Island. Donor explained: "Reynolds was part of the family of William Reed Huntington, who spent summers in Northeast Harbor starting around 1886. Mrs. Huntington died years before, leaving four small children, and her older sister, Miriam, moved in to take care of them. The youngest of the four was Mary, who later married William Thompson. They summered in Tamworth, New Hampshire, and this rug was in their house there. The house was inherited by their second son, Charles G. Thompson. When Charles's daughter Victoria married Dr. James S. Murphy, a Seal Harbor summer resident, she was given the Cranberry rug (by then quite worn) so that it might return to nearer its origin. For forty years it lived in Seal Harbor, but when Victoria's daughter Alice married Cranberry Island summer resident Bill Bancroft, the rug came home!" This rug was repaired in the same manner as the crab-motif rug, but is in much worse condition. It, too, lacks the CR monogram that was usually worked into one corner or on the selvage at the back of rugs that were made specifically by the Cranberry Island Club rug makers at the turn of the century. From "Bulletin of the Bureau of Labor", #55 (Nov. 1904), pp 1573-1622, the article "The Revival of Handicrafts in America." by Max West, Ph. D. states: Cranberry Islanders ".... were already familiar with the process of hooking rugs; and they were fortunate in having the benefit of the initiative, moral support, and financial backing of Mrs. Seth Low, Miss Miriam P. Reynolds, and one or two other New York women whose summer homes are at Northeast Harbor, as well as in obtaining the aid of capable designers. The industry was started on a small scale in the autumn of 1901, under the supervision of Miss Amy Mali Hicks, a designer identified with the arts and crafts movement in New York City, who designed the patterns and gave instruction in dyeing, etc. ..." [show more]
Loom. Wooden Weaving Loom. Given to McShea Family by Weinrich Family. History unknown. With two skeins of thread and off-white thread on loom. Perhaps from Bea Weinrich's home when she lived across from the Parsonage house on GCI. (Barely used if ever, perhaps a teaching tool or model.)
Description: Loom. Wooden Weaving Loom. Given to McShea Family by Weinrich Family. History unknown. With two skeins of thread and off-white thread on loom. Perhaps from Bea Weinrich's home when she lived across from the Parsonage house on GCI. (Barely used if ever, perhaps a teaching tool or model.)
Doll, Golliwog, a miniature cloth person in blue shirt with red and white striped pants, black face, black curly hair, big red lips, whites of eyes prominent. Anti Black Caricature prominent in the early 20th century.
Description: Doll, Golliwog, a miniature cloth person in blue shirt with red and white striped pants, black face, black curly hair, big red lips, whites of eyes prominent. Anti Black Caricature prominent in the early 20th century.
Boots. Black rubber lobsterman's fishing boots, size 11, tops folded over, heavily spattered with red and blue paint, found and recovered by Wini Smart & Bruce Komusin from the town dump, and later identified by Steve Spurling as being his own boots that he threw away ca. 2000
each boot 12" L x 5" W x 16" H (26.5" H if top is unfolded)
Description: Boots. Black rubber lobsterman's fishing boots, size 11, tops folded over, heavily spattered with red and blue paint, found and recovered by Wini Smart & Bruce Komusin from the town dump, and later identified by Steve Spurling as being his own boots that he threw away ca. 2000