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| Catalogue # | Title | Type | Subject | Description | |
|---|---|---|---|---|---|
| 1000.0.1309 | Taxidermist made Stuffed Pheasant |
|
| Taxidermy, bird, stuffed pheasant, maker unknown | 
Description: Taxidermy, bird, stuffed pheasant, maker unknown |
| 1000.0.1190 | Lampshade with roses |
|
| Lampshade, 8 oval panels of taut waxy paper with lace applique roses on each, all fringed. From a GCI home. | 
Description: Lampshade, 8 oval panels of taut waxy paper with lace applique roses on each, all fringed. From a GCI home. |
| 1000.0.1361 | Ornate metal picture frame |
|
| Frame. Ornate Metal Picture Frame for 4" to 6" pictures | 
Description: Frame. Ornate Metal Picture Frame for 4" to 6" pictures |
| 1000.0.1302 | Wooden laundry stirrer |
|
| Art, carved wooden laundry stirrer, made by Sam Chapman |
Description: Art, carved wooden laundry stirrer, made by Sam Chapman |
| 2012.13.1394 | Iron |
|
| Iron. Electric Clothes Iron Set consisting of electric iron and matching base stand. Iron is 400 Watt "UNIVERSAL" model made by Landers, Frary & Clark, New Britain, Conn., USA. There is no matching electric cord. Base stand is unmarked. |
Description: Iron. Electric Clothes Iron Set consisting of electric iron and matching base stand. Iron is 400 Watt "UNIVERSAL" model made by Landers, Frary & Clark, New Britain, Conn., USA. There is no matching electric cord. Base stand is unmarked. |
| 2012.13.1532 | Clothes iron set |
|
| Iron. Clothes iron set consisting of two flat irons, detachable wooden handle (one), and base stand. Irons are cast iron with writing "ENTERPRISE MFG CO, PHILA PA, NO 50", and are intended to be heated on a stove. Handle is interchangeable between both irons, so one iron can be used to press clothes while the other iron is being heated without a handle. Stand is cast iron with writing "ENTERPRISE MFG CO, PHILADELPHIA" |
Description: Iron. Clothes iron set consisting of two flat irons, detachable wooden handle (one), and base stand. Irons are cast iron with writing "ENTERPRISE MFG CO, PHILA PA, NO 50", and are intended to be heated on a stove. Handle is interchangeable between both irons, so one iron can be used to press clothes while the other iron is being heated without a handle. Stand is cast iron with writing "ENTERPRISE MFG CO, PHILADELPHIA" |
| 2010.501.2992 | Toothbrush and Glass Holder |
|
| A metal toothbrush and glass holder. It is meant to be mounted into a wall and have the toothbrushes hang from the bottom and the glass holder on the top. There are no marking on the toothbrush holder that allows for an accurate date. | 
Description: A metal toothbrush and glass holder. It is meant to be mounted into a wall and have the toothbrushes hang from the bottom and the glass holder on the top. There are no marking on the toothbrush holder that allows for an accurate date. |
| 2016.379.2142 | Ironing board |
|
| Furniture. Ironing board. Large wooden ironing board ca. 1920s from Ella Spurling house. Grandmother of donor. |
Description: Furniture. Ironing board. Large wooden ironing board ca. 1920s from Ella Spurling house. Grandmother of donor. |
| 2014.288.2043 | Straw whisk broom |
|
| Straw whisk broom with metal and string binding, tag reads "Gift from Ladies Aid Society, ca. early 1900. | 
Description: Straw whisk broom with metal and string binding, tag reads "Gift from Ladies Aid Society, ca. early 1900. |
| 2023.653.3143 | Carrie Richardson Folding Bed |
|
| This bed was a feature of the schooner ‘Carrie M. Richardson’ and was used by the ship's namesake, celestial navigator and later owner Carrie Stanley Richardson. Island legend has it that Carrie didn’t like to sleep in the bunks as the rest of the sailors did and so when the schooner was stopped at a dock, she went hunting and found this unusual folding bed. After she passed away, it was left in the boathouse at the Lew Stanley boatyard. Bob LaHotan-who co owned the boatyard with John Heliker-would sleep in the very same bed! |
Description: This bed was a feature of the schooner ‘Carrie M. Richardson’ and was used by the ship's namesake, celestial navigator and later owner Carrie Stanley Richardson. Island legend has it that Carrie didn’t like to sleep in the bunks as the rest of the sailors did and so when the schooner was stopped at a dock, she went hunting and found this unusual folding bed. After she passed away, it was left in the boathouse at the Lew Stanley boatyard. Bob LaHotan-who co owned the boatyard with John Heliker-would sleep in the very same bed! [show more] |
| 1000.116.1130 | Tommy Sticker: brass candle holder with metal spikes |
|
| Tool, "Tommy Sticker", a brass candle holder with metal spikes on the bottom and side, to be forced into a wooden wall, beam, etc. to provide light while leaving hands free | 
Description: Tool, "Tommy Sticker", a brass candle holder with metal spikes on the bottom and side, to be forced into a wooden wall, beam, etc. to provide light while leaving hands free |
| 1000.0.1223 | Lantern |
|
| Lantern | |
| 1000.0.1249 | Small metal kerosene heater |
|
| Tool, small metal kerosene heater for warming or melting something | 
Description: Tool, small metal kerosene heater for warming or melting something |
| 2014.302.2058 | Table |
|
| Table. Wicker, circular, beige; and table cloth: white with sunflower border. | 
Description: Table. Wicker, circular, beige; and table cloth: white with sunflower border. |
| 2013.241.2030 | Oil lamp with metal base and glass globe |
|
| Oil lamp with metal base, brass stand and pressed glass globe with fanlike motif in poor condition. Globe was cracked and repaired in several places. | 
Description: Oil lamp with metal base, brass stand and pressed glass globe with fanlike motif in poor condition. Globe was cracked and repaired in several places. |
| 2013.227.1317 | School desk wood and cast iron |
|
| Desk, school, wood and cast iron, marked "SCHOOL FURNITURE CO" and "1, PAYNO, G35887, PAT. PDG" |
Description: Desk, school, wood and cast iron, marked "SCHOOL FURNITURE CO" and "1, PAYNO, G35887, PAT. PDG" |
| 2003.165.1186 | Stool for organ with red brocade top |
|
| Artifact, organ stool red brocade top | |
| 1000.0.1274 | Rope floor mat |
|
| Artifact, rope mat (perhaps made by Eva Bracy) | |
| 2016.373.1929 | Rug made by Cora Spurling Richardson Chapman |
|
| Rug, braided with hooked center. Concentric circles of brown, black, blue, tan, red, green, orange, and rose; the center is a hooked oblong, bordered in blue, with a depiction of a full basket of red, yellow, white, and tan flowers; on the reverse side, the central hooked area is covered with a green fabric protective patch. Donor Charlotte Harlan wrote 9/21/2016 and 10/8/16: "That rug belonged to my Aunt Virginia. She was my mother's youngest sister, my grandfather Charles Henry Bulger's daughter. We believe that the rug was made by Aunt Cora [Cora Spurling Richardson Chapman b. July 3, 1863], who lived in the house where the Dowlings live now. My mother spoke of her Aunt Cora quite often. She made a lot of braided rugs. | 
Description: Rug, braided with hooked center. Concentric circles of brown, black, blue, tan, red, green, orange, and rose; the center is a hooked oblong, bordered in blue, with a depiction of a full basket of red, yellow, white, and tan flowers; on the reverse side, the central hooked area is covered with a green fabric protective patch. Donor Charlotte Harlan wrote 9/21/2016 and 10/8/16: "That rug belonged to my Aunt Virginia. She was my mother's youngest sister, my grandfather Charles Henry Bulger's daughter. We believe that the rug was made by Aunt Cora [Cora Spurling Richardson Chapman b. July 3, 1863], who lived in the house where the Dowlings live now. My mother spoke of her Aunt Cora quite often. She made a lot of braided rugs. [show more] |
| 2013.214.1930 | Braided, oval rug |
|
| Rug, braided, oval; starting in the center, predominantly various red patterns; black, brown, gray, tan, and blue as the loops grow larger, culminating in a black border | 
Description: Rug, braided, oval; starting in the center, predominantly various red patterns; black, brown, gray, tan, and blue as the loops grow larger, culminating in a black border |
| 2013.214.1931 | Braided rug |
|
| Rug, braided, oval; starting in the center, predominantly black/white loops grow larger, then the colors change to gray/black, green/gray, and red/tan, culminating in a gray/black border; dirty and worn | 
Description: Rug, braided, oval; starting in the center, predominantly black/white loops grow larger, then the colors change to gray/black, green/gray, and red/tan, culminating in a gray/black border; dirty and worn |
| 2013.214.1932 | Braided, oval, rug |
|
| Rug, braided, oval; starting in the center, predominantly green, brown, and orange patterned loops grow larger, then the colors change to blue, pink, brown, and red, culminating in a black border; colors in each loop change even within the loop; the fourth and fifth loops from the outside have become disconnected, and several other loops are loose. | 
Description: Rug, braided, oval; starting in the center, predominantly green, brown, and orange patterned loops grow larger, then the colors change to blue, pink, brown, and red, culminating in a black border; colors in each loop change even within the loop; the fourth and fifth loops from the outside have become disconnected, and several other loops are loose. |
| 1000.18.1934 | Rug, hooked, depicting schooner |
|
| Rug, hooked, rectangular; brown border with schooner, lighthouse and rocks against partly cloudy sky and green sea. From the home of Hilda Adel Bulger Spurling (1902-1987) (the Keegan's house on Harding Pt. Road in modern times). Hilda served as Postmistress on weekends for her sister Marjorie Phippen. |
Description: Rug, hooked, rectangular; brown border with schooner, lighthouse and rocks against partly cloudy sky and green sea. From the home of Hilda Adel Bulger Spurling (1902-1987) (the Keegan's house on Harding Pt. Road in modern times). Hilda served as Postmistress on weekends for her sister Marjorie Phippen. |
| 2013.241.1976 | Braided rug |
|
| Rug. Braided with hooked center element. Concentric rings of browns, blacks, and greens with pale blue, red, and maroon flowers in hooked center square. Reverse side of rug has patch of brown cotton fabric with coral and beige flower decoration 16.5 x 17" serving as backing for the hooked flowers. Edges badly worn. Hole by the maroon flower. Some separation between the concentric braided rings. | 
Description: Rug. Braided with hooked center element. Concentric rings of browns, blacks, and greens with pale blue, red, and maroon flowers in hooked center square. Reverse side of rug has patch of brown cotton fabric with coral and beige flower decoration 16.5 x 17" serving as backing for the hooked flowers. Edges badly worn. Hole by the maroon flower. Some separation between the concentric braided rings. |
| 2005.138.2025 | Hooked rug with crab motif |
|
| Rug. Green and beige crab motif. Hooked, wool, sheared on burlap, 29.5" x 64.5". Made on Cranberry Isles 1902-1905. One of two similar rugs from same donor. (See 2005.138.2026 dog-motif rug.) Donor states her sister recovered this rug from the storage shed at their parents' house in New Hampshire after reading the Bangor Daily News article about her earlier donation of the dog-motif rug; and that this rug was repaired in the same manner as that rug, but is in much better condition. This rug lacks the CR monogram that was usually worked into one corner or on the selvage at the back of rugs that were made specifically by the Cranberry Island Club rug makers at the turn of the century. But it likely shares the provenance of the dog-motif rug described by its donor and its connection to Miriam P. Reynolds of Northeast Harbor and her family's New Hampshire connection. From "Bulletin of the Bureau of Labor", #55 (Nov. 1904), pp 1573-1622, the article "The Revival of Handicrafts in America." by Max West, Ph. D. states: Cranberry Islanders ".... were already familiar with the process of hooking rugs; and they were fortunate in having the benefit of the initiative, moral support, and financial backing of Mrs. Seth Low, Miss Miriam P. Reynolds, and one or two other New York women whose summer homes are at Northeast Harbor, as well as in obtaining the aid of capable designers. The industry was started on a small scale in the autumn of 1901, under the supervision of Miss Amy Mali Hicks, a designer identified with the arts and crafts movement in New York City, who designed the patterns and gave instruction in dyeing, etc. ..." (See also "Three Centuries of Hooking, Mount Desert Island Historical Society, 2009, p. 20-21.) | 
Description: Rug. Green and beige crab motif. Hooked, wool, sheared on burlap, 29.5" x 64.5". Made on Cranberry Isles 1902-1905. One of two similar rugs from same donor. (See 2005.138.2026 dog-motif rug.) Donor states her sister recovered this rug from the storage shed at their parents' house in New Hampshire after reading the Bangor Daily News article about her earlier donation of the dog-motif rug; and that this rug was repaired in the same manner as that rug, but is in much better condition. This rug lacks the CR monogram that was usually worked into one corner or on the selvage at the back of rugs that were made specifically by the Cranberry Island Club rug makers at the turn of the century. But it likely shares the provenance of the dog-motif rug described by its donor and its connection to Miriam P. Reynolds of Northeast Harbor and her family's New Hampshire connection. From "Bulletin of the Bureau of Labor", #55 (Nov. 1904), pp 1573-1622, the article "The Revival of Handicrafts in America." by Max West, Ph. D. states: Cranberry Islanders ".... were already familiar with the process of hooking rugs; and they were fortunate in having the benefit of the initiative, moral support, and financial backing of Mrs. Seth Low, Miss Miriam P. Reynolds, and one or two other New York women whose summer homes are at Northeast Harbor, as well as in obtaining the aid of capable designers. The industry was started on a small scale in the autumn of 1901, under the supervision of Miss Amy Mali Hicks, a designer identified with the arts and crafts movement in New York City, who designed the patterns and gave instruction in dyeing, etc. ..." (See also "Three Centuries of Hooking, Mount Desert Island Historical Society, 2009, p. 20-21.) [show more] |
