Interview Transcript from an interview with Richard 'Chuddy' Alley. The interview was recorded in the 2000's (exact year unknown) by Jessi Duma and Jenny Matthews, who both lived on the island for a number of years. Chuddy came to GCI as a young boy, and recounts many memories of Great Cranberry in the early to mid 20th century. He talks about agriculture and fishing extensively with Jessi. He moved over to Islesford and his son Ricky Alley speaks about fishing with a fish trap, and Pursing. Jessi was a Cranberry Island Fellow and became the general manager for GCIHS for a few years. Interview with transcribed by Hannah Gower-Fox. She was the Archivist and Museum Curator for GCIHS in 2023.
Description: Interview Transcript from an interview with Richard 'Chuddy' Alley. The interview was recorded in the 2000's (exact year unknown) by Jessi Duma and Jenny Matthews, who both lived on the island for a number of years. Chuddy came to GCI as a young boy, and recounts many memories of Great Cranberry in the early to mid 20th century. He talks about agriculture and fishing extensively with Jessi. He moved over to Islesford and his son Ricky Alley speaks about fishing with a fish trap, and Pursing. Jessi was a Cranberry Island Fellow and became the general manager for GCIHS for a few years. Interview with transcribed by Hannah Gower-Fox. She was the Archivist and Museum Curator for GCIHS in 2023. [show more]
This is a transcript of an interview Phil Whitney and Bruce Komusin conducted with Wilfred Bunker, the cofounder of Beal and Bunker, on the 5th December, 2011.
Description: This is a transcript of an interview Phil Whitney and Bruce Komusin conducted with Wilfred Bunker, the cofounder of Beal and Bunker, on the 5th December, 2011.
Art work. Mail Art Exhibit materials from 2014 & 2012 efforts arranged by Jan Moss' daughter, Rebecca Guyver. Individuals made beautiful, complex, but mailable artworks. Collection of multi-media materials sent to Rebecca Guyver in England and America and hung at both venues: GCIHS and at Maritime Mail Art Navyland Farm in Ringshall, Suffolk, UK. Rebecca gave this collection of items that were mailed to her into an exhibit and then gave them to GCIHS 2012. Dozens of hand made artworks mailed to PO Box 84 on GCI.
Description: Art work. Mail Art Exhibit materials from 2014 & 2012 efforts arranged by Jan Moss' daughter, Rebecca Guyver. Individuals made beautiful, complex, but mailable artworks. Collection of multi-media materials sent to Rebecca Guyver in England and America and hung at both venues: GCIHS and at Maritime Mail Art Navyland Farm in Ringshall, Suffolk, UK. Rebecca gave this collection of items that were mailed to her into an exhibit and then gave them to GCIHS 2012. Dozens of hand made artworks mailed to PO Box 84 on GCI. [show more]
William Kienbusch, a Retrospective Exhibition 1946-1979, published by Farnsworth Art Museum, Rockland Maine, 1996, William Kienbusch first painted in Maine in 1934, eventually taking up residence on Great Cranberry Isle in 1962. Born in New York City, and a Magna Cum Laude graduate of Princeton University, he studied at the Art Students League in New York with Raphael Soyer and John. Kienbusch lived across from the tennis courts on GCI. He is Carl Little's uncle.
Description: William Kienbusch, a Retrospective Exhibition 1946-1979, published by Farnsworth Art Museum, Rockland Maine, 1996, William Kienbusch first painted in Maine in 1934, eventually taking up residence on Great Cranberry Isle in 1962. Born in New York City, and a Magna Cum Laude graduate of Princeton University, he studied at the Art Students League in New York with Raphael Soyer and John. Kienbusch lived across from the tennis courts on GCI. He is Carl Little's uncle. [show more]
The Cranberry Club Rooster Division was a local spoof men's club to mirror the elite women’s Cranberry Club. The club house was behind Doc Haydock’s house and also included Arvard Savage, Charlie Rice, and Victor White. They would put on performances of music and ‘interpretive island dances’.
Description: The Cranberry Club Rooster Division was a local spoof men's club to mirror the elite women’s Cranberry Club. The club house was behind Doc Haydock’s house and also included Arvard Savage, Charlie Rice, and Victor White. They would put on performances of music and ‘interpretive island dances’.
On loan from Phil Whitney. This turtle shell, according to Whitney family legend, is suspected to be from an 1825 whaling expedition to the South Pacific. It was kept in the family home until 1928, when the Spurling house burned down, and was rescued from the flames by islanders trying to salvage their possessions. The shell is that of a Hawksbill sea turtle, larger than most found today, and you may notice an indentation on the left side. Turtles are adept at recovering from injuries but they can’t grow back bone, so this is likely an injury sustained from when this turtle was far smaller.
Description: On loan from Phil Whitney. This turtle shell, according to Whitney family legend, is suspected to be from an 1825 whaling expedition to the South Pacific. It was kept in the family home until 1928, when the Spurling house burned down, and was rescued from the flames by islanders trying to salvage their possessions. The shell is that of a Hawksbill sea turtle, larger than most found today, and you may notice an indentation on the left side. Turtles are adept at recovering from injuries but they can’t grow back bone, so this is likely an injury sustained from when this turtle was far smaller. [show more]
A collection of shells and photographs taken from the Shell Midden on Fish Point. Some of the shells have holes in them, which may have been created by the indigenous people who hunted for them. Dating through the shell middens and other archeological remains, we know people have used this coastline and its plentiful marine resources for thousands of years. The Cranberries themselves were used by the indigenous peoples here, evidenced by the remains of a shell midden on Fish point (at the hook of the island) which isn’t accessible to the public. Shell middens are often referred to as trash heaps and they contain oyster, clam, and shellfish remains, along with ‘faunal remains’ which refers to the mammal, fish, bird, reptile bones and teeth that are found. A minor portion of the middens are often stone tools or their fragments, and pieces of ceramic pottery. Shellfish middens are phenomenal records of the lives lived in proximity to the coast, and they are often found in sheltered coves and bays, near small mudflats, and tidal/inland streams. They tell us which seasons people were occupying areas, their preference for sheltered areas with easy access to the ocean (for their canoes) and plentiful marine resources, such as shellfish flats, and spring runs of migratory fish. They are extraordinary records which are disappearing rapidly due to rising oceans.
Description: A collection of shells and photographs taken from the Shell Midden on Fish Point. Some of the shells have holes in them, which may have been created by the indigenous people who hunted for them. Dating through the shell middens and other archeological remains, we know people have used this coastline and its plentiful marine resources for thousands of years. The Cranberries themselves were used by the indigenous peoples here, evidenced by the remains of a shell midden on Fish point (at the hook of the island) which isn’t accessible to the public. Shell middens are often referred to as trash heaps and they contain oyster, clam, and shellfish remains, along with ‘faunal remains’ which refers to the mammal, fish, bird, reptile bones and teeth that are found. A minor portion of the middens are often stone tools or their fragments, and pieces of ceramic pottery. Shellfish middens are phenomenal records of the lives lived in proximity to the coast, and they are often found in sheltered coves and bays, near small mudflats, and tidal/inland streams. They tell us which seasons people were occupying areas, their preference for sheltered areas with easy access to the ocean (for their canoes) and plentiful marine resources, such as shellfish flats, and spring runs of migratory fish. They are extraordinary records which are disappearing rapidly due to rising oceans. [show more]
This quilt was made by Beverly Sanborn for the Cranberry Island Art Show for Great Cranberry Historical Society in 2021. Karin Whitney donated it to the Museum.
Description: This quilt was made by Beverly Sanborn for the Cranberry Island Art Show for Great Cranberry Historical Society in 2021. Karin Whitney donated it to the Museum.
This bed was a feature of the schooner ‘Carrie M. Richardson’ and was used by the ship's namesake, celestial navigator and later owner Carrie Stanley Richardson. Island legend has it that Carrie didn’t like to sleep in the bunks as the rest of the sailors did and so when the schooner was stopped at a dock, she went hunting and found this unusual folding bed. After she passed away, it was left in the boathouse at the Lew Stanley boatyard. Bob LaHotan-who co owned the boatyard with John Heliker-would sleep in the very same bed!
Description: This bed was a feature of the schooner ‘Carrie M. Richardson’ and was used by the ship's namesake, celestial navigator and later owner Carrie Stanley Richardson. Island legend has it that Carrie didn’t like to sleep in the bunks as the rest of the sailors did and so when the schooner was stopped at a dock, she went hunting and found this unusual folding bed. After she passed away, it was left in the boathouse at the Lew Stanley boatyard. Bob LaHotan-who co owned the boatyard with John Heliker-would sleep in the very same bed! [show more]
Fabric. Two crocheted, cotton washcloths: white with green scalloped edge and white with pink scalloped edge. Both made by Marjorie Phippen ca. 1970s and purchased by donor at Ladies Aid Fair in 1970s or '80s. Marjorie was the postmistress for years on GCI.
Description: Fabric. Two crocheted, cotton washcloths: white with green scalloped edge and white with pink scalloped edge. Both made by Marjorie Phippen ca. 1970s and purchased by donor at Ladies Aid Fair in 1970s or '80s. Marjorie was the postmistress for years on GCI.
Poster. Easter Service Sunday March 30 (no year), Arthur Forrester and William Goldberg led the service; lunch served in the Ladies Aid. Hand drawn lilies, cross, and text, mixed media with cut-outs of flowers.
Description: Poster. Easter Service Sunday March 30 (no year), Arthur Forrester and William Goldberg led the service; lunch served in the Ladies Aid. Hand drawn lilies, cross, and text, mixed media with cut-outs of flowers.
Paintings, three painted cardboard panels with artwork by GCI school children. (A) Woman on the moon releasing white dove by Amy Russell1996. (B) Woman in black in the middle of an orange flower by Martha Bunker (probably 1996); she became an artist or photographer in Portland. (C) Ice Hockey player in action on the ice by Patrick Allen (probably 1996).
Description: Paintings, three painted cardboard panels with artwork by GCI school children. (A) Woman on the moon releasing white dove by Amy Russell1996. (B) Woman in black in the middle of an orange flower by Martha Bunker (probably 1996); she became an artist or photographer in Portland. (C) Ice Hockey player in action on the ice by Patrick Allen (probably 1996).
Rations would have been stored in the lifeboat’s emergency kit. This one contains 8oz of dried biscuits. If a boat sunk in the middle of the Atlantic it could be many days before any lifeboats were found, so access to some food could be vital for survival.
Description: Rations would have been stored in the lifeboat’s emergency kit. This one contains 8oz of dried biscuits. If a boat sunk in the middle of the Atlantic it could be many days before any lifeboats were found, so access to some food could be vital for survival.
Books and two inserts. (A) Three Little Pigs, Illustrated by Carl Emil Wehde, Copyright MCMXXXVII, McLoughlin Bros., Inc, Springfield, Mass. With inscription "Dickie from Junior Bracy" in Marjorie Phippen's handwriting. (B) New American Business Cyclopedia- A Compendium of useful information and a Guide to Successful Business Methods together with advice...." by E. T. Roe, LL.B., Gordon G. Sapp publisher, Chicago 1925, with two small cardboard certificates inside: (C) Junior Achievement Certificate, Bookkeeping issued by Marion R. Waterman, Instructor, on 12/3/45, to Sheila Louise Phippen by the business Education World, New York. And (D) Senior Achievement Certificate, Bookkeeping, issued to Louise Phippen by Marion R. Waterman, Instructor, 1/2/46, The Business Education World, New York. (Crosby Mills, second husband, had a business – maybe Louise Phippen was bookkeeper? Her first husband was a service man.)
Description: Books and two inserts. (A) Three Little Pigs, Illustrated by Carl Emil Wehde, Copyright MCMXXXVII, McLoughlin Bros., Inc, Springfield, Mass. With inscription "Dickie from Junior Bracy" in Marjorie Phippen's handwriting. (B) New American Business Cyclopedia- A Compendium of useful information and a Guide to Successful Business Methods together with advice...." by E. T. Roe, LL.B., Gordon G. Sapp publisher, Chicago 1925, with two small cardboard certificates inside: (C) Junior Achievement Certificate, Bookkeeping issued by Marion R. Waterman, Instructor, on 12/3/45, to Sheila Louise Phippen by the business Education World, New York. And (D) Senior Achievement Certificate, Bookkeeping, issued to Louise Phippen by Marion R. Waterman, Instructor, 1/2/46, The Business Education World, New York. (Crosby Mills, second husband, had a business – maybe Louise Phippen was bookkeeper? Her first husband was a service man.) [show more]
Quilt. Colorful wool, cotton, flannel, and jersey fabrics made of geometric and freeform shapes and patterns including plaids, tweeds, and solid colors. Reverse side is a solid rough beige cotton with pale blue stripes; there are decorative beige yarn ties along the blue stripes with a few pink yarn ties interspersed. Edges are folded in and machine (?) hemmed, there is no border. Possible ornate script initials - one of which is may be an "L". Some discoloration and stains. This quilt is one of two recovered from the Preble House. (See also quilt 1000.140.1138 from the same donor.) (Note: Lynne Birlem (donor 343) has a very similar framed crazy quilt at her home that is from her great grandmother Hamor's house on GCI.)
Description: Quilt. Colorful wool, cotton, flannel, and jersey fabrics made of geometric and freeform shapes and patterns including plaids, tweeds, and solid colors. Reverse side is a solid rough beige cotton with pale blue stripes; there are decorative beige yarn ties along the blue stripes with a few pink yarn ties interspersed. Edges are folded in and machine (?) hemmed, there is no border. Possible ornate script initials - one of which is may be an "L". Some discoloration and stains. This quilt is one of two recovered from the Preble House. (See also quilt 1000.140.1138 from the same donor.) (Note: Lynne Birlem (donor 343) has a very similar framed crazy quilt at her home that is from her great grandmother Hamor's house on GCI.) [show more]
Quilt. Patchwork of browns, blues, greys, and black tweeds, wool, and polyster 4.5" x 4 3/4" squares with a 4.75"-5" grey border. Reverse is same grey fabric as border stitched to border on seams. This quilt may have been a gift of Sue Lyman, allegedly made of fabric from old men's suits.
Description: Quilt. Patchwork of browns, blues, greys, and black tweeds, wool, and polyster 4.5" x 4 3/4" squares with a 4.75"-5" grey border. Reverse is same grey fabric as border stitched to border on seams. This quilt may have been a gift of Sue Lyman, allegedly made of fabric from old men's suits.