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| Catalogue # | Title | Type | Subject | Description | |
|---|---|---|---|---|---|
| 2023.654.3144 | Art Show Quilt 2021 |
|
| This quilt was made by Beverly Sanborn for the Cranberry Island Art Show for Great Cranberry Historical Society in 2021. Karin Whitney donated it to the Museum. | 
Description: This quilt was made by Beverly Sanborn for the Cranberry Island Art Show for Great Cranberry Historical Society in 2021. Karin Whitney donated it to the Museum. |
| 2013.219.1874 | Harpoon or "Lilly Iron" with swivel piece on the barb |
|
| Fishing gear, "Lilly Iron" (harpoon) from Wesley Bracy, Jr. with swiveling piece on the barb that folds flat for easy penetration, but opens crosswise for increased grip, thus preventing loss of the fish; Bruce Komusin inserted a wooden boomstick handle and secured it with rope for display purposes. | 
Description: Fishing gear, "Lilly Iron" (harpoon) from Wesley Bracy, Jr. with swiveling piece on the barb that folds flat for easy penetration, but opens crosswise for increased grip, thus preventing loss of the fish; Bruce Komusin inserted a wooden boomstick handle and secured it with rope for display purposes. |
| 2023.653.3143 | Carrie Richardson Folding Bed |
|
| This bed was a feature of the schooner ‘Carrie M. Richardson’ and was used by the ship's namesake, celestial navigator and later owner Carrie Stanley Richardson. Island legend has it that Carrie didn’t like to sleep in the bunks as the rest of the sailors did and so when the schooner was stopped at a dock, she went hunting and found this unusual folding bed. After she passed away, it was left in the boathouse at the Lew Stanley boatyard. Bob LaHotan-who co owned the boatyard with John Heliker-would sleep in the very same bed! |
Description: This bed was a feature of the schooner ‘Carrie M. Richardson’ and was used by the ship's namesake, celestial navigator and later owner Carrie Stanley Richardson. Island legend has it that Carrie didn’t like to sleep in the bunks as the rest of the sailors did and so when the schooner was stopped at a dock, she went hunting and found this unusual folding bed. After she passed away, it was left in the boathouse at the Lew Stanley boatyard. Bob LaHotan-who co owned the boatyard with John Heliker-would sleep in the very same bed! [show more] |
| 2023.651.3141 | Lifeboat Rations |
|
| Rations would have been stored in the lifeboat’s emergency kit. This one contains 8oz of dried biscuits. If a boat sunk in the middle of the Atlantic it could be many days before any lifeboats were found, so access to some food could be vital for survival. |
Description: Rations would have been stored in the lifeboat’s emergency kit. This one contains 8oz of dried biscuits. If a boat sunk in the middle of the Atlantic it could be many days before any lifeboats were found, so access to some food could be vital for survival. |
| 2023.650.3140 | Fire Extinguisher |
|
| Fire extinguisher for a boat. Likely from early 1900s. On the cylinder it says; "throw contents with force into the base of the flame". |
Description: Fire extinguisher for a boat. Likely from early 1900s. On the cylinder it says; "throw contents with force into the base of the flame". |
| 2023.649.3139 | WWII Era Life Jacket |
|
| Weighing about 5 pounds, this jacket is likely made of Kapok fibre from the Ceiba pentandra tree; which is lighter in weight than the original cork life jackets and much more comfortable and pliable. Unlikely to still float. Donor unknown, likely used in the early 1900s. |
Description: Weighing about 5 pounds, this jacket is likely made of Kapok fibre from the Ceiba pentandra tree; which is lighter in weight than the original cork life jackets and much more comfortable and pliable. Unlikely to still float. Donor unknown, likely used in the early 1900s. |
| 2023.645.3135 | Cranberry Club Chamber Set |
|
| ||
| 2023.647.3137 | Model Warship - Built by Arvard Savage |
|
| Model warship built by Arvard Savage. Donated by Karin Whitney. | 
Description: Model warship built by Arvard Savage. Donated by Karin Whitney. |
| 2013.294.1900 | Indigenous American Sweetgrass Basket |
|
| Basket and lid, flat bottom, Indigenous American creation, made of braided sweetgrass and natural and green flat splint fiber, with a blue card inside reading "(printed) Smart Studio Antiques, Maine Street, Northeast Harbor Maine, 276-5152, (handwritten) Penobscot Indian Sweetgrass Basket, late 1800s", and on the back of the card "$145" | 
Description: Basket and lid, flat bottom, Indigenous American creation, made of braided sweetgrass and natural and green flat splint fiber, with a blue card inside reading "(printed) Smart Studio Antiques, Maine Street, Northeast Harbor Maine, 276-5152, (handwritten) Penobscot Indian Sweetgrass Basket, late 1800s", and on the back of the card "$145" |
| 2023.648.3138 | Hawksbill Sea Turtle - Eretmochelys imbricata |
|
| On loan from Phil Whitney. This turtle shell, according to Whitney family legend, is suspected to be from an 1825 whaling expedition to the South Pacific. It was kept in the family home until 1928, when the Spurling house burned down, and was rescued from the flames by islanders trying to salvage their possessions. The shell is that of a Hawksbill sea turtle, larger than most found today, and you may notice an indentation on the left side. Turtles are adept at recovering from injuries but they can’t grow back bone, so this is likely an injury sustained from when this turtle was far smaller. | 
Description: On loan from Phil Whitney. This turtle shell, according to Whitney family legend, is suspected to be from an 1825 whaling expedition to the South Pacific. It was kept in the family home until 1928, when the Spurling house burned down, and was rescued from the flames by islanders trying to salvage their possessions. The shell is that of a Hawksbill sea turtle, larger than most found today, and you may notice an indentation on the left side. Turtles are adept at recovering from injuries but they can’t grow back bone, so this is likely an injury sustained from when this turtle was far smaller. [show more] |
| 1000.180.1322 | Antique sewing machine from the Moorfield Storey house |
|
| Sewing Machine, hand/foot-operated "A & S" sewing machine on cast iron stand with three drawers and wooden work surface table and matching wooden box-like cover; the right drawer is loose and not attached to the base; all three drawers are filled with sewing notions; the sewing machine is from the Moorfield Storey household. | 
Description: Sewing Machine, hand/foot-operated "A & S" sewing machine on cast iron stand with three drawers and wooden work surface table and matching wooden box-like cover; the right drawer is loose and not attached to the base; all three drawers are filled with sewing notions; the sewing machine is from the Moorfield Storey household. |
| 2019.434.2444 | Addie Ethel Duren WWII ID card |
|
| Addie Ethel Duren WWII ID card issued by U.S. Coast Guard. Islanders were required to carry ID cards during WW II when transiting from islands to MDI, to prove they weren't spies. | 
Description: Addie Ethel Duren WWII ID card issued by U.S. Coast Guard. Islanders were required to carry ID cards during WW II when transiting from islands to MDI, to prove they weren't spies. |
| 2017.397.2172 | Hats Off Bowling Game (Phippen) |
|
| Game board, child, Board game, "Hats Off Bowling Game" with wooden pegs that swivel, bowling balls missing. Copyright MCMXLIV by Transogram Company, Inc. , from Montgomery Ward. Marjorie and Les Phippen's children were Paul, Louise, and one other. They were born on GCI and used to live on GCI year round. | 
Description: Game board, child, Board game, "Hats Off Bowling Game" with wooden pegs that swivel, bowling balls missing. Copyright MCMXLIV by Transogram Company, Inc. , from Montgomery Ward. Marjorie and Les Phippen's children were Paul, Louise, and one other. They were born on GCI and used to live on GCI year round. |
| 2018.406.2183 | Quilt by Leah Jeanette (Sawyer) Stanley (1874-1944) |
|
| Quilt. Red and white (or beige) squares, 73" x 81" with solid white (or beige) reverse; filled with cotton batting. 14 5" x 6" squares long by 15 5"x6" squares wide. Each white square has a red embroidered flower, vegetable, bird, human figure, or animal in it. Donor states quilt was found in house when the property was bequeathed to the Heliker-LaHotan Foundation by Robert LaHotan's will and trust. Donor believes the quilt was made by Leah Stanley (Leah Jeanette (Sawyer) Stanley 1874-1944) who lived in the house with her husband Lewis Stanley. Quilt was displayed in 2006 GCIHS quilt exhibit. | 
Description: Quilt. Red and white (or beige) squares, 73" x 81" with solid white (or beige) reverse; filled with cotton batting. 14 5" x 6" squares long by 15 5"x6" squares wide. Each white square has a red embroidered flower, vegetable, bird, human figure, or animal in it. Donor states quilt was found in house when the property was bequeathed to the Heliker-LaHotan Foundation by Robert LaHotan's will and trust. Donor believes the quilt was made by Leah Stanley (Leah Jeanette (Sawyer) Stanley 1874-1944) who lived in the house with her husband Lewis Stanley. Quilt was displayed in 2006 GCIHS quilt exhibit. [show more] |
| 2022.617.3109 | Shell Midden Remains and Photographs |
|
| A collection of shells and photographs taken from the Shell Midden on Fish Point. Some of the shells have holes in them, which may have been created by the indigenous people who hunted for them. Dating through the shell middens and other archeological remains, we know people have used this coastline and its plentiful marine resources for thousands of years. The Cranberries themselves were used by the indigenous peoples here, evidenced by the remains of a shell midden on Fish point (at the hook of the island) which isn’t accessible to the public. Shell middens are often referred to as trash heaps and they contain oyster, clam, and shellfish remains, along with ‘faunal remains’ which refers to the mammal, fish, bird, reptile bones and teeth that are found. A minor portion of the middens are often stone tools or their fragments, and pieces of ceramic pottery. Shellfish middens are phenomenal records of the lives lived in proximity to the coast, and they are often found in sheltered coves and bays, near small mudflats, and tidal/inland streams. They tell us which seasons people were occupying areas, their preference for sheltered areas with easy access to the ocean (for their canoes) and plentiful marine resources, such as shellfish flats, and spring runs of migratory fish. They are extraordinary records which are disappearing rapidly due to rising oceans. | 
Description: A collection of shells and photographs taken from the Shell Midden on Fish Point. Some of the shells have holes in them, which may have been created by the indigenous people who hunted for them. Dating through the shell middens and other archeological remains, we know people have used this coastline and its plentiful marine resources for thousands of years. The Cranberries themselves were used by the indigenous peoples here, evidenced by the remains of a shell midden on Fish point (at the hook of the island) which isn’t accessible to the public. Shell middens are often referred to as trash heaps and they contain oyster, clam, and shellfish remains, along with ‘faunal remains’ which refers to the mammal, fish, bird, reptile bones and teeth that are found. A minor portion of the middens are often stone tools or their fragments, and pieces of ceramic pottery. Shellfish middens are phenomenal records of the lives lived in proximity to the coast, and they are often found in sheltered coves and bays, near small mudflats, and tidal/inland streams. They tell us which seasons people were occupying areas, their preference for sheltered areas with easy access to the ocean (for their canoes) and plentiful marine resources, such as shellfish flats, and spring runs of migratory fish. They are extraordinary records which are disappearing rapidly due to rising oceans. [show more] |
| 2014.278.2019 | Fire Department Helmets |
|
| Used by Herman Savage and Wilfred Bunker. Two oval metal helmets painted red; adjustable webbed fabric supports with metal rivets inside; raised staples on interior of brim with fabric chin strips in place. Helmets used by GCI volunteer fire department ca. 1948 when the fire department was formed. Helmet (A): Red outside, white inside; "C.I.V.D." painted in white on exterior; handwritten inside the rim "H. Savage" (Herman Savage). Savage was a teenage volunteer fire department member. Helmet (B):Red outside, red inside; "W.A.B." painted in yellow on exterior; no initials inside. Wilfred Allison Bunker would have been in his late 20s in 1948. These may have been WWII helmets adapted for use by the fire department. Badly rusted and paint flaking and peeling. (See also 2014.278.2020 CIVD documents from 1950-1960s.) (See also photo of firefighters taken ca. January 1951-1953 with identifications, printed copy stored with item 2021 - box 49.) | 
Description: Used by Herman Savage and Wilfred Bunker. Two oval metal helmets painted red; adjustable webbed fabric supports with metal rivets inside; raised staples on interior of brim with fabric chin strips in place. Helmets used by GCI volunteer fire department ca. 1948 when the fire department was formed. Helmet (A): Red outside, white inside; "C.I.V.D." painted in white on exterior; handwritten inside the rim "H. Savage" (Herman Savage). Savage was a teenage volunteer fire department member. Helmet (B):Red outside, red inside; "W.A.B." painted in yellow on exterior; no initials inside. Wilfred Allison Bunker would have been in his late 20s in 1948. These may have been WWII helmets adapted for use by the fire department. Badly rusted and paint flaking and peeling. (See also 2014.278.2020 CIVD documents from 1950-1960s.) (See also photo of firefighters taken ca. January 1951-1953 with identifications, printed copy stored with item 2021 - box 49.) [show more] |
| 2013.214.1906 | Indigenous American stone tools: 10 arrowheads, flakes, projectile points, and knife blade |
|
| Native American tools: a random collection of 10 stone pieces without provenience: 1 raw stone, 6 arrowheads, 2 flakes, 1 knife blade: some of these artifacts were loaned by individuals, and one projectile point (the longest one, black) was found on GCI on May 25, 2008 by a visitor. Others may not be local points, some perhaps New Jersey origin. One 2" stone knife blade, broken, black (not obsidian) found GCI 2011 by visitor and later donated to GCIHS. (See Abbe Museum on MDI for collection of Native American artifacts from archaeological excavations on GCI.) | 
Description: Native American tools: a random collection of 10 stone pieces without provenience: 1 raw stone, 6 arrowheads, 2 flakes, 1 knife blade: some of these artifacts were loaned by individuals, and one projectile point (the longest one, black) was found on GCI on May 25, 2008 by a visitor. Others may not be local points, some perhaps New Jersey origin. One 2" stone knife blade, broken, black (not obsidian) found GCI 2011 by visitor and later donated to GCIHS. (See Abbe Museum on MDI for collection of Native American artifacts from archaeological excavations on GCI.) [show more] |
| 2015.319.2080 | Wild Island Farm seed collection |
|
| Seeds. Collection of Polly Storey's Wild Island Farm seeds including three green wooden display boxes (A, B, and C) (with lids attached by brass chains) containing white and green paper seed packets ready for sale, and two shoebox-size cardboard boxes (D and E) with seed packets. There is also a folder of materials (F) relating to Wild Island Farm, the seed business, and a newspaper article “Polly Forbes Johnson Storey: A Spirit of Independence” (Bar Harbor Times, October 21, 1976). (See also GCIHS 1000.0.965 for another undated article about seeds business.) Seed packets indicate crop years were 1972 and 1992; but many packets have no crop years identified. Most of the seeds originated in Maine, but some are from Tennessee, Pennsylvania, Wisconsin, and Yugoslavia. Polly Storey’s daughter, Elizabeth Selim, recalls her mother germinating wildflower seeds on the property and remembers her mother’s seed business. Two of the green seed display boxes (A and B) contain packets of tree seeds. On the interior lids of these two boxes is a printed pamphlet: Tree Seeds from Maine* (and other exotic parts of the world), with text on why and how to plant tree seeds. Seed packets inside these two boxes include balsam fir, mountain ash, white pine, sugar maple, paper birch, and white spruce - all "Packed by Wild Island Farm, Cranberry Isles, Maine 04625." Balsam fir (Abies balsama): Purity 93%, Germination 50% March 1994; Crop year 1992, Origin Maine. Mountain Ash (Sorbus americana): Purity 80%, Germination 30% March 1994, Crop year 1992, Origin Tennessee. White Pine (Pinus strobus): Purity 98%, Germination 90% March 1994, Crop year 1991, Origin Maine. Sugar Maple (Acer saccharum): Purity 97%, Germination 55% March 1994, Crop Year 1992, Origin Pennsylvania. Paper Birch (Betula papyrifera): Purity 85%, Germination 95% March 1994, Crop year 1992, Origin Wisconsin. White Spruce: (Picea abies): Purity 98%, Germination 47.5% March 1992, Crop year 1990, Origin Yugoslavia. Several types of tree seed packets have bar-coded labels on reverse: “Acadia Shops, (seed name), $2.00”. The third green display box (C) contains mostly flower packets, but there are also four packets of White Cedar seeds in it. The interior lid of this box has hand drawn text and lovely small watercolor sketches of the types of flower seed packets it contains. White Cedar (Thuja occidentales): Text, printing and ‘packed by’ are slightly different: Purity 95%, Germ. 60% March 1973, Crop Year 1972, Origin Maine: Packed by Wild Island Seeds, The Farm House, Cranberry Isles, Maine 04625. Flower packets: Daisy (Chrysanthemum leucanthemum): No date packed etc. Blue Flag (Iris versicolor): No date packed etc, but an Acadia Shops sticker (no bar code) $1.50 on reverse. Evening Primrose (Onothera biennis): No date packed etc. Beach Pea (Lathyrus japponics): Empty envelope, no crop year etc. Lupine (Lupinus perennis): No crop year etc. Cattail (Typha latifolia): No crop year etc., sealed but seems empty. Blueberry (Vaccinium augustifolium): No date crop year etc., envelope stained. There are 5 small manila envelopes with handwritten labels: Beach Pea, Wild Rose, Blue Flag, Seaside Goldenrod, and Bunchberry. Inside a sixth, larger manila envelope (labelled in red ink: ‘Begonia seeds’) are 5 folded, white paper packets, only two of which are labelled: "Pink and white from Christmas cactus pot", and "Deep Red". Cardboard boxes: First box (D) labeled “M.D. Apothecary” contains 59 green and white paper packets of Rhubarb (Rhabarbarum) seeds, “Packed by Wild Island Farm, Cranberry Isles, Maine 04625”, no crop year etc., but Acadia Shops sticker (no bar code) $1.50 on reverse. Second box (E) contains 99 green and white paper packets of Mountain Ash (Sorbus americana) seeds: Purity 80%, Germination 30% March 1994, Crop year 1992, Origin Tennessee, Packed by Wild Island Farm, Cranberry Isles, Maine 04625, no sticker on reverse. Documents (F): 1970 to 1995, including 1992 correspondence with Aroostook Testing and Consulting Laboratory in Presque Isle, Maine, shows Polly submitted several varieties of tree seeds from Cranberry Island for testing and received germination rates for each. Information on how and when to gather seeds. Statements and business registration information. Newspaper article “Polly Forbes Johnson Storey: A Spirit of Independence” (Bar Harbor Times, October 21, 1976). Several letters from visitors who purchased the seeds at local hotels and wanted advice. Two loose 2"x2" square water color sketches of cranberry and fireweed. One 6"x8" color photograph of Polly Storey by Dick Berggren. | 
Description: Seeds. Collection of Polly Storey's Wild Island Farm seeds including three green wooden display boxes (A, B, and C) (with lids attached by brass chains) containing white and green paper seed packets ready for sale, and two shoebox-size cardboard boxes (D and E) with seed packets. There is also a folder of materials (F) relating to Wild Island Farm, the seed business, and a newspaper article “Polly Forbes Johnson Storey: A Spirit of Independence” (Bar Harbor Times, October 21, 1976). (See also GCIHS 1000.0.965 for another undated article about seeds business.) Seed packets indicate crop years were 1972 and 1992; but many packets have no crop years identified. Most of the seeds originated in Maine, but some are from Tennessee, Pennsylvania, Wisconsin, and Yugoslavia. Polly Storey’s daughter, Elizabeth Selim, recalls her mother germinating wildflower seeds on the property and remembers her mother’s seed business. Two of the green seed display boxes (A and B) contain packets of tree seeds. On the interior lids of these two boxes is a printed pamphlet: Tree Seeds from Maine* (and other exotic parts of the world), with text on why and how to plant tree seeds. Seed packets inside these two boxes include balsam fir, mountain ash, white pine, sugar maple, paper birch, and white spruce - all "Packed by Wild Island Farm, Cranberry Isles, Maine 04625." Balsam fir (Abies balsama): Purity 93%, Germination 50% March 1994; Crop year 1992, Origin Maine. Mountain Ash (Sorbus americana): Purity 80%, Germination 30% March 1994, Crop year 1992, Origin Tennessee. White Pine (Pinus strobus): Purity 98%, Germination 90% March 1994, Crop year 1991, Origin Maine. Sugar Maple (Acer saccharum): Purity 97%, Germination 55% March 1994, Crop Year 1992, Origin Pennsylvania. Paper Birch (Betula papyrifera): Purity 85%, Germination 95% March 1994, Crop year 1992, Origin Wisconsin. White Spruce: (Picea abies): Purity 98%, Germination 47.5% March 1992, Crop year 1990, Origin Yugoslavia. Several types of tree seed packets have bar-coded labels on reverse: “Acadia Shops, (seed name), $2.00”. The third green display box (C) contains mostly flower packets, but there are also four packets of White Cedar seeds in it. The interior lid of this box has hand drawn text and lovely small watercolor sketches of the types of flower seed packets it contains. White Cedar (Thuja occidentales): Text, printing and ‘packed by’ are slightly different: Purity 95%, Germ. 60% March 1973, Crop Year 1972, Origin Maine: Packed by Wild Island Seeds, The Farm House, Cranberry Isles, Maine 04625. Flower packets: Daisy (Chrysanthemum leucanthemum): No date packed etc. Blue Flag (Iris versicolor): No date packed etc, but an Acadia Shops sticker (no bar code) $1.50 on reverse. Evening Primrose (Onothera biennis): No date packed etc. Beach Pea (Lathyrus japponics): Empty envelope, no crop year etc. Lupine (Lupinus perennis): No crop year etc. Cattail (Typha latifolia): No crop year etc., sealed but seems empty. Blueberry (Vaccinium augustifolium): No date crop year etc., envelope stained. There are 5 small manila envelopes with handwritten labels: Beach Pea, Wild Rose, Blue Flag, Seaside Goldenrod, and Bunchberry. Inside a sixth, larger manila envelope (labelled in red ink: ‘Begonia seeds’) are 5 folded, white paper packets, only two of which are labelled: "Pink and white from Christmas cactus pot", and "Deep Red". Cardboard boxes: First box (D) labeled “M.D. Apothecary” contains 59 green and white paper packets of Rhubarb (Rhabarbarum) seeds, “Packed by Wild Island Farm, Cranberry Isles, Maine 04625”, no crop year etc., but Acadia Shops sticker (no bar code) $1.50 on reverse. Second box (E) contains 99 green and white paper packets of Mountain Ash (Sorbus americana) seeds: Purity 80%, Germination 30% March 1994, Crop year 1992, Origin Tennessee, Packed by Wild Island Farm, Cranberry Isles, Maine 04625, no sticker on reverse. Documents (F): 1970 to 1995, including 1992 correspondence with Aroostook Testing and Consulting Laboratory in Presque Isle, Maine, shows Polly submitted several varieties of tree seeds from Cranberry Island for testing and received germination rates for each. Information on how and when to gather seeds. Statements and business registration information. Newspaper article “Polly Forbes Johnson Storey: A Spirit of Independence” (Bar Harbor Times, October 21, 1976). Several letters from visitors who purchased the seeds at local hotels and wanted advice. Two loose 2"x2" square water color sketches of cranberry and fireweed. One 6"x8" color photograph of Polly Storey by Dick Berggren. [show more] |
| 2019.442.2817 | Model Schooner |
|
| Two-mast schooner model by George Savage. Red, white, orange, black with blue deck, four sails, no name or number on stern or sides. He lived on the island from the 1930s onward. He was a constable. | 
Description: Two-mast schooner model by George Savage. Red, white, orange, black with blue deck, four sails, no name or number on stern or sides. He lived on the island from the 1930s onward. He was a constable. |
| 2010.232.1914 | Glass souvenir basket |
|
| Bowl, souvenir, white glass miniature Clam Broth Basket with red letters "SOUVENIR OF Cranberry Isles Maine"; impressed into glass on inside bottom: PAT'D; gold colored handle and rim; with receipt from Pine Bough "Select Antiques, Northeast Harbor" 13 July '04, and note from them "Prob. orig. sold NEH ca. 1920s" | 
Description: Bowl, souvenir, white glass miniature Clam Broth Basket with red letters "SOUVENIR OF Cranberry Isles Maine"; impressed into glass on inside bottom: PAT'D; gold colored handle and rim; with receipt from Pine Bough "Select Antiques, Northeast Harbor" 13 July '04, and note from them "Prob. orig. sold NEH ca. 1920s" |
| 2013.241.2030 | Oil lamp with metal base and glass globe |
|
| Oil lamp with metal base, brass stand and pressed glass globe with fanlike motif in poor condition. Globe was cracked and repaired in several places. | 
Description: Oil lamp with metal base, brass stand and pressed glass globe with fanlike motif in poor condition. Globe was cracked and repaired in several places. |
| 2014.286.2036 | Doll furniture with braided rug |
|
| Doll furniture. Five pieces of furniture for doll house (see 2014.286.2037). Grey and black braided rug (E), blue Pennsylvania Dutch motif cupboard (B). Chest with three drawers (C). Rocking Chair (A). Wicker couch (D). Donor says they were acquired randomly. | 
Description: Doll furniture. Five pieces of furniture for doll house (see 2014.286.2037). Grey and black braided rug (E), blue Pennsylvania Dutch motif cupboard (B). Chest with three drawers (C). Rocking Chair (A). Wicker couch (D). Donor says they were acquired randomly. |
| 2013.241.2039 | Wooden needles for mending nets |
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| Fishing gear. Collection of twelve wooden tools: (A) Eight wooden needles for mending nets, making and repairing bait bag netting: snowshoe-shaped implements with U-shaped end, closed tangs, and pointed ends. (B) Net needle: wood with large rectangular eye hole. (C) Wood rectangle with hole in the middle and a loop of rope through two other holes: lobster fishing assemby that keeps the line from getting tangled. (D and E) Two wood implements that come to a smooth point. | 
Description: Fishing gear. Collection of twelve wooden tools: (A) Eight wooden needles for mending nets, making and repairing bait bag netting: snowshoe-shaped implements with U-shaped end, closed tangs, and pointed ends. (B) Net needle: wood with large rectangular eye hole. (C) Wood rectangle with hole in the middle and a loop of rope through two other holes: lobster fishing assemby that keeps the line from getting tangled. (D and E) Two wood implements that come to a smooth point. [show more] |
| 1000.0.1117 | Model four-mast schooner in glass bottle |
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| Model, 4-masted wooden schooner in a molded glass bottle with cork; it looks old but commercial, not a handicraft object | 
Description: Model, 4-masted wooden schooner in a molded glass bottle with cork; it looks old but commercial, not a handicraft object |
| 2016.372.2135 | Wooden and tin kitchenware |
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| Kitchenware. Collection of five kitchen wares: (A) Wooden pounder for pounding foodstuff or packing pickles, etc. (B) Large wooden bowl (crack in center). (C and D): Two grooved wooden paddles for making butter balls. (E) One curved, perforated, tin skimmer for removing cream from milk. | 
Description: Kitchenware. Collection of five kitchen wares: (A) Wooden pounder for pounding foodstuff or packing pickles, etc. (B) Large wooden bowl (crack in center). (C and D): Two grooved wooden paddles for making butter balls. (E) One curved, perforated, tin skimmer for removing cream from milk. |
